Beschreibung:

Max Belcher (American, b. 1944) Four Silver Gelatin Prints from the Americo-LiberianSeries and a Book, images include: Mt. Zion Baptist Church, Royesville, Liberia, 1977, image size 7 1/2 x 9 1/2; Burgwyn Quarter, Jackson, NC, 1986, image size 9 1/4 x 7; Padmore House, Crozierville, Liberia, 1983, image size 9 1/4 x 6 1/2; and Solomon Eli Martin, Royesville, Liberia, 1977, image size 7 1/2 x 7 1/2 in.; all signed, dated, titled, and inscribed on the reverse, matted to 17 x 14 in.; accompanied by the book A Land and Life Remembered, Americo-Liberian Folk Architecture, in which the four prints are illustrated. Donated by Elizabeth Haff, Old Masters & 19th Century Specialist in Skinner's American & European Works of Art department. Note: Max Belcher was born in Philadelphia in 1944 to an African American father from North Carolina and a Jewish American mother of Polish/Lithuanian descent, born in rural Pennsylvania. In 1952 his father went to the Gold Coast at the invitation of the couple's wartime friend, Kwame Nkrumah, for what was meant to be an eight-week business trip. His father was to remain in Africa for the next four decades. By 1954, Belcher, Sr. had established himself in neighboring Liberia and had become a naturalized Liberian citizen; Max and his mother and sister then joined him. At sixteen, Max Belcher began working in broadcasting as a staff announcer for the Liberian Broadcasting Corporation. By the time he left to go to school in the U.S. in 1964, his lived experience in Liberia, French Guinea and Sierra Leone, combined with his growing appreciation of the capacity of radio, television and film to inform and influence, made him aware of the need for the material and techniques required to disseminate practical information in a developing country, particularly on matters of public health, agricultural practice, child rearing, and road safety. Belcher's plans were quickly thwarted by the escalation of the Vietnam War. Feeling that the draft was inevitable, Belcher enlisted in the U.S. Marines, serving as a radio and television broadcaster in the U.S. and at Armed Forces Radio and Television Service on Okinawa; and as a Marine Corps Combat Correspondent in Vietnam. After his tour of duty he settled in New York City, where he took a full-time job as a production assistant at NBC News and enrolled in college. He began his studies at Columbia University in 1968 but quickly transferred to the New School for Social Research, where a filmmaking instructor encouraged him to grow accustomed to seeing the world through the lens of a still camera. That training, initially intended to develop his skills as a filmmaker, introduced Belcher to the expressive potential of photography. Continuing his liberal arts studies at the New School, he also enrolled in a photography class at the School of Visual Arts. At the same time he began shooting experimental photographs in and around New York City, often choosing friends, landscapes and local architecture as his subjects. Finishing his studies in 1970, he returned to Liberia in 1971, embarking on what would become his first major project as a professional photographer. Since that time, Belcher's photographic interests in portraiture and vernacular architecture have developed in conjunction with the thematic exploration of racial identity, emigration and history that run through his work in Africa, Asia, North America, the Middle East, and the Caribbean. He has had numerous one-man shows in the eastern United States and has contributed to group exhibits group exhibits across the U.S. and in Canada, Italy, Chile, Vietnam, and Soviet Armenia. Belcher's photography is held both by private collectors and in the permanent collections of galleries and museums in the United States, Canada, and Vietnam. He has received major support from the National Endowment for the Humanities, Fulbright Scholars Program, the LEF Foundation, Massachusetts Cultural Council, the Kenan Charitable Trust, and p