Beschreibung:

14George CondoDroopy Dog Abstraction2017 signed and dated 'George Condo 2017' lower left; numbered '26/75' lower right screenprint in colours on Coventry Rag paper sheet 45.6 x 40.4 cm. (17 7/8 x 15 7/8 in.) frame 62.4 x 58.7 cm. (24 5/8 x 23 1/8 in.) Published by Art + Culture, Brooklyn in 2017, this work is number 26 from an edition of 75. Estimate HK$60,000 - 80,000 €6,600-8,800 $7,700-10,300 Current bid HK$60,000 1 Bid Login to bid Please note that once you've placed your bid, it cannot be cancelled.Contact Specialist Delissa Handoko Associate Specialist, Head of Online Sales, Hong Kong, 20th Century & Contemporary Art +852 2318 2013 DHandoko@phillips.com
Condition ReportSign uporLog inProvenancePrivate Collection Heritage Auctions, Texas, 7 June 2018, lot 12018 Acquired at the above sale by the present ownerArtist BioGeorge CondoAmerican • 1957 Follow Few artists have dedicated their careers as singularly to one genre as George Condo has to that of portraiture. He is drawn to the endless inquiries posed by the aesthetics and formal considerations of Caravaggio, Rembrandt and the Old Masters. Emerging on the New York art scene in the 1980s alongside contemporaries such as Keith Haring and Jean-Michel-Basquiat, Condo developed a distinctive visual lexicon that is unmistakably his own. Student to Warhol, friend to Basquiat and collaborator with William S. Burroughs, Condo tracked a different path. The artist frequently cites Picasso as a predominant influence in his contemporary cubist compositions and joyous use of paint. Condo is known for postmodernist compositions staked in wit and the grotesque, which draw the eye into a highly imaginary world. View More Works