23 Property from an Important Collection Agostino Bonalumi Follow Bianco signed and dated 'Bonalumi '74' on the reverse vinyl tempera on shaped canvas 141 x 141.5 cm (55 1/2 x 55 3/4 in.) Executed in 1974, the work is registered in the Archivio Agostino Bonalumi Milan under no. 74-013.
Provenance Galleria Mazzoleni, Turin Acquired from the above by the present owner Exhibited Turin, Galleria Mazzoleni, Agostino Bonalumi Opere scelte, 1964 - 2008, 2008, p. 37 Literature Lea Mattarella, Bonalumi razionalità e apparenza , exh. cat., Museo d'Arte Moderna di Mosca, Rome, 2011, no. 31 Marco Meneguzzo, ed., Agostino Bonalumi Catalogo ragionato, Tomo secondo , Milan, 2015, no. 602, p. 468 (illustrated) Catalogue Essay 'I am happy with [my work] because I had fun making these things…to have an idea and see it realised, to follow it becoming a tangible manifestation is beautiful, pleasant. Understanding the work as form therefore, including the limits of the work, the perimeter, shows that the work in all its reality is objective. Sometimes in my work, in some of my works, the protrusions escape the boundaries of the work. This serves to highlight the fact that even the perimeter of the work is part of the form, that is to say that with these escaping protrusions, the perimeter becomes an internal part of the work, it is no longer an external limit.’ Agostino Bonalumi Read More
23 Property from an Important Collection Agostino Bonalumi Follow Bianco signed and dated 'Bonalumi '74' on the reverse vinyl tempera on shaped canvas 141 x 141.5 cm (55 1/2 x 55 3/4 in.) Executed in 1974, the work is registered in the Archivio Agostino Bonalumi Milan under no. 74-013.
Provenance Galleria Mazzoleni, Turin Acquired from the above by the present owner Exhibited Turin, Galleria Mazzoleni, Agostino Bonalumi Opere scelte, 1964 - 2008, 2008, p. 37 Literature Lea Mattarella, Bonalumi razionalità e apparenza , exh. cat., Museo d'Arte Moderna di Mosca, Rome, 2011, no. 31 Marco Meneguzzo, ed., Agostino Bonalumi Catalogo ragionato, Tomo secondo , Milan, 2015, no. 602, p. 468 (illustrated) Catalogue Essay 'I am happy with [my work] because I had fun making these things…to have an idea and see it realised, to follow it becoming a tangible manifestation is beautiful, pleasant. Understanding the work as form therefore, including the limits of the work, the perimeter, shows that the work in all its reality is objective. Sometimes in my work, in some of my works, the protrusions escape the boundaries of the work. This serves to highlight the fact that even the perimeter of the work is part of the form, that is to say that with these escaping protrusions, the perimeter becomes an internal part of the work, it is no longer an external limit.’ Agostino Bonalumi Read More
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
