46 in all, including a large photograph of the Ozarfs performing, long inscription on back, [c.1910?]; head and shoulders portrait of Madam Zomah, [c.1920], inscribed 1947; D’Alba, inscribed, [c.1930?]; two portraits of the Great Masoni, standing and half length, both inscribed, the second dated 1951; three others of him performing a memory act with Shan; other portraits of Dr. Franz Polgar; Lucille and Eddie Roberts, with a long inscription to Johnny Paul, 1950; and Dr. Stanley Jaks, inscribed to Bill and Alex, 1951; one of N’Gai performing to a crowd in the street; two large photographs of Bayard and Marion Grinshaw; seventeen small photographs of them on and off stage; and five large portraits of Mardoni and Louise, in folder.
46 in all, including a large photograph of the Ozarfs performing, long inscription on back, [c.1910?]; head and shoulders portrait of Madam Zomah, [c.1920], inscribed 1947; D’Alba, inscribed, [c.1930?]; two portraits of the Great Masoni, standing and half length, both inscribed, the second dated 1951; three others of him performing a memory act with Shan; other portraits of Dr. Franz Polgar; Lucille and Eddie Roberts, with a long inscription to Johnny Paul, 1950; and Dr. Stanley Jaks, inscribed to Bill and Alex, 1951; one of N’Gai performing to a crowd in the street; two large photographs of Bayard and Marion Grinshaw; seventeen small photographs of them on and off stage; and five large portraits of Mardoni and Louise, in folder.
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