A GEM-SET TWO-COLOUR GOLD-MOUNTED AND GUILLOCHÉ ENAMEL BOWENITE BELL-PUSH
MARKED FABERGÉ, WITH THE WORKMASTER'S MARK OF MICHAEL PERCHIN, ST PETERSBURG, CIRCA 1890
A GEM-SET TWO-COLOUR GOLD-MOUNTED AND GUILLOCHÉ ENAMEL BOWENITE BELL-PUSH MARKED FABERGÉ, WITH THE WORKMASTER'S MARK OF MICHAEL PERCHIN, ST PETERSBURG, CIRCA 1890 Square, the bowenite body with a square mount enamelled in translucent red over the starburst wavy guilloché ground, within a two-colour gold acanthus-chased border, the outer border enamelled in translucent red over the dash guilloché ground on four cone-shaped feet, surmounted by a cabochon moonstone push-piece, with a composite reverse, marked under base 1 7/8 in. (4.7 cm.) wide
A GEM-SET TWO-COLOUR GOLD-MOUNTED AND GUILLOCHÉ ENAMEL BOWENITE BELL-PUSH
MARKED FABERGÉ, WITH THE WORKMASTER'S MARK OF MICHAEL PERCHIN, ST PETERSBURG, CIRCA 1890
A GEM-SET TWO-COLOUR GOLD-MOUNTED AND GUILLOCHÉ ENAMEL BOWENITE BELL-PUSH MARKED FABERGÉ, WITH THE WORKMASTER'S MARK OF MICHAEL PERCHIN, ST PETERSBURG, CIRCA 1890 Square, the bowenite body with a square mount enamelled in translucent red over the starburst wavy guilloché ground, within a two-colour gold acanthus-chased border, the outer border enamelled in translucent red over the dash guilloché ground on four cone-shaped feet, surmounted by a cabochon moonstone push-piece, with a composite reverse, marked under base 1 7/8 in. (4.7 cm.) wide
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