Beschreibung:

Comprising the following: Sekai toki zenshu (Complete World Ceramics) vol.2, Tokyo, Shogakkan, 1979; Audsley, George Ashdown and Bowes, James Lord, Keramic Art of Japan, London, Henry Sotheran and Co., 1875, complete set of two volumes; Audsley, George Ashdown, The Ornamental Arts of Japan, Mineola, NY, Dover Publications, 2008; Buckland, Rosina, Shunga: Erotic Art in Japan, London, British Museum Press, 2010; Cardeiro, C. Philip, Hirado Ware: Japanese Hirado Porcelain 1640-1909, exhibition catalogue, Monterey, Art Asia Museum, 1989; Collcutt, Martin; Jansen, Marius; and Kumakura Isao, Cultural Atlas of Japan, Oxford, Phaidon Press, 1988; Egami Namio and Bester, John, trans., The Beginnings of Japanese Art, New York, Weatherhill, 1978; Garner, Harry, Chinese and Japanese Cloisonné Enamels, Oxford, Faber and Faber, 1977 (first published 1962); Gorham, Hazel H., Japanese and Oriental Ceramics, Rutland, VT, Charles E. Tuttle, 1978 (first published 1970); Guth, Christine, Japanese Art of the Edo Period, London, George Weidenfeld and Nicolson, 1996; Impey, Oliver and Seaman, Joyce, Japanese Decorative Arts of the Meiji Period, Oxford, Ashmolean Museum, 2005; Irvine, Gregory, Japanese Cloisonné Enamels: The Seven Treasures, Hong Kong, V&A Publishing, 2011; Itsuki Ken (ed.), The Dawns of Tradition, Japan, Nissan Motor, 1983; Joly, Henri L., and Kumasaku, Tomita, Japanese Art & Handicraft, Sawers-Valansot Publication, 1976 (first published 1916); Kawahara Masahiko, The Ceramic Art of Ogata Kenzan, Tokyo, New York, and San Francisco, Kodansha International, 1985; Kozuru Gen, Famous Ceramics of Japan Vol.2: Agano and Takatori, Tokyo, Kodansha International, 1981; Lawrence, Louis, Hirado: Prince of Porcelains, Chicago, Art Media Resources, 1997; Mikami Tsugio and Herring, Ann, trans., The Art of Japanese Ceramics, New York, Weatherhill, 1983 (first published 1972); Miller, Roy Andrew, Japanese Ceramics, Tokyo, Toto Shuppan, 1963 (first published 1960); Mitsuoka Tadanari, Ceramic Art of Japan, Tokyo, Dai Nippon Printing, 1956; Mulder, W. Z., Hollanders in Hirado, Haarlem, Fibula-Van Dishoeck, 1985; Munsterberg, Hugo, The Ceramic ARt of Japan: A Handbook for Collectors, Rutland, VT, Charles E. Tuttle, 1964; Nakagawa Sensaku, Kutani Ware, Tokyo, New York, and San Francisco, Kodansha International, 1979; Rousmaniere, Nicole (ed.), Crafting Beauty in Modern Japan, exhibition catalogue, London, British Museum Press, 2007; Seattle Art Museum, A Thousand Cranes: Treasures of Japanese Art, San Francisco, Chronicle Books, 1987; Smith, Bradley, Japan: A History in Art, New York, Spring Books, 1972 (first published 1964); Stockspring Antiques, The Dragon and the Quail, exhibition catalogue, Ringwood, Pardy and Son, 2000; Tokyo National Museum, Nihon Kokuho Ten (National Treasures of Japan), exhibition catalogue, Japan, Yomiuri Shimbun, 1990; Watson, William (ed.), The Great Japan Exhibition: Art of the Edo Period, exhibition catalogue, London, Royal Academy of Arts, 1981; Wilson, Richard L., The Art of Ogata Kenzan: Persona and Production in Japanese Ceramics, New York, Weatherhill, 1992. (28).