Showa (1926-1989) era Comprising 24 books related to various Japanese woodcut print artists and six exhibition catalogues: titles include a set of three volumes of Kindai Nihon hanga taikei (Compendium of Modern Japanese Prints), circa 1975-1976, published by Mainichi Shimbunsha; Hokusai: One Hundred Poets , by Peter Morse, circa 1989, published by George Braziller, Inc. New York; The Art of Hiroshige , by Tsuneo Tamba, circa 1965, published by Asahi Shinbun-sha; Kuniyoshi, the Warrior-Prints , by B. W. Robinson, circa 1982, published by Phidon Press Limited, Oxford and Cornell University Press; Yoshitoshi, the Splendid Decadent, the Last Master of Ukiyo-e , by Shinichi Segi, circa 1985, published by Kodansha International Ltd, Tokyo; Kawase Hasui mokuhanga-shu (Kawase Hasui Prints Collection), circa 1979, published by Mainichi Shinbunsha; Shiko Munakata Wood-Block Prints, Chronologically arranged (1935-1958) , by Dr. Soetsu Yanagi, circa 1958, published by the Chikuma-shobo, Tokyo; and various exhibition catalogs include, The Bizarre Imagery of Yoshitoshi: The Herbert R. Cole Collection , circa 1980, published by the Los Angeles County Museum of Art, Los Angeles; Hiroshige, An Exhibition of Selected Prints and Illustrated Books , circa 1983, published by Ukiyo-e Society of America, Inc.; Kunisada's World , circa 1993, published by Japan Society, Inc. and Ukiyo-e Society of America; The Mann Collection , circa 1994, published by Ukiyo-e Ota Memorial Museum of Art, Tokyo; The Passionate Art of Kitagawa Utamaro , circa 1995, published by Asahi Shimbun, Tokyo and British Museum Press, London; Kamisaka Sekka: Rimpa Master – Pioneer of Modern Design , circa 2003, published by The National Museum of Modern Art, Kyoto, Birmingham Museum of Art, Alabama and the Asahi Shimbun; and 48 other reference books related to Japanese prints
Showa (1926-1989) era Comprising 24 books related to various Japanese woodcut print artists and six exhibition catalogues: titles include a set of three volumes of Kindai Nihon hanga taikei (Compendium of Modern Japanese Prints), circa 1975-1976, published by Mainichi Shimbunsha; Hokusai: One Hundred Poets , by Peter Morse, circa 1989, published by George Braziller, Inc. New York; The Art of Hiroshige , by Tsuneo Tamba, circa 1965, published by Asahi Shinbun-sha; Kuniyoshi, the Warrior-Prints , by B. W. Robinson, circa 1982, published by Phidon Press Limited, Oxford and Cornell University Press; Yoshitoshi, the Splendid Decadent, the Last Master of Ukiyo-e , by Shinichi Segi, circa 1985, published by Kodansha International Ltd, Tokyo; Kawase Hasui mokuhanga-shu (Kawase Hasui Prints Collection), circa 1979, published by Mainichi Shinbunsha; Shiko Munakata Wood-Block Prints, Chronologically arranged (1935-1958) , by Dr. Soetsu Yanagi, circa 1958, published by the Chikuma-shobo, Tokyo; and various exhibition catalogs include, The Bizarre Imagery of Yoshitoshi: The Herbert R. Cole Collection , circa 1980, published by the Los Angeles County Museum of Art, Los Angeles; Hiroshige, An Exhibition of Selected Prints and Illustrated Books , circa 1983, published by Ukiyo-e Society of America, Inc.; Kunisada's World , circa 1993, published by Japan Society, Inc. and Ukiyo-e Society of America; The Mann Collection , circa 1994, published by Ukiyo-e Ota Memorial Museum of Art, Tokyo; The Passionate Art of Kitagawa Utamaro , circa 1995, published by Asahi Shimbun, Tokyo and British Museum Press, London; Kamisaka Sekka: Rimpa Master – Pioneer of Modern Design , circa 2003, published by The National Museum of Modern Art, Kyoto, Birmingham Museum of Art, Alabama and the Asahi Shimbun; and 48 other reference books related to Japanese prints
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