A large Collection of musical prints, including The Singing Master After Scalcken, by Richard Earlom mezzotint, published 1770 by John Boydell laid paper, with margins S. 20 x 16in (51 x 40½cm) with The lute Player After Steen, by J. Gole, mezzotint, laid paper, with margins S. 14 x 10in (35½ x 25½cm); another similar After F. Hals, by W. Vaillandt; Lady Singing? After Hogarth, by G. Sherlock, coloured stipple engraving, wove paper, with margins S. 21 x 15in (53 x 38cm); A Spanish Concert After Karel van Mander by Ploos van Amstel, coloured engraving, laid paper, (unframed); a quantity of Old Master etchings and engravings, including Temperantia After Bruegel, engraving, laid paper, trimmed to the image, (unframed); and others by or After Raphael, Marcantonio Raimondi Tintoretto, Cochin, Watteau, Zucczaro, Chaponnier, Le Valentin, D. Teniers, De Launay and others, (unframed) (a lot) See Illustrations
A large Collection of musical prints, including The Singing Master After Scalcken, by Richard Earlom mezzotint, published 1770 by John Boydell laid paper, with margins S. 20 x 16in (51 x 40½cm) with The lute Player After Steen, by J. Gole, mezzotint, laid paper, with margins S. 14 x 10in (35½ x 25½cm); another similar After F. Hals, by W. Vaillandt; Lady Singing? After Hogarth, by G. Sherlock, coloured stipple engraving, wove paper, with margins S. 21 x 15in (53 x 38cm); A Spanish Concert After Karel van Mander by Ploos van Amstel, coloured engraving, laid paper, (unframed); a quantity of Old Master etchings and engravings, including Temperantia After Bruegel, engraving, laid paper, trimmed to the image, (unframed); and others by or After Raphael, Marcantonio Raimondi Tintoretto, Cochin, Watteau, Zucczaro, Chaponnier, Le Valentin, D. Teniers, De Launay and others, (unframed) (a lot) See Illustrations
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