A MOYEGI-ITO-ODOSHI GOLD LACQUERED DOMARU , comprising a fine russet-iron sixty-two plate koboshi bachi , each plate with thirty-one koboshi , the interior gilt, signed Myochin Shigenobu (last character indistinct), second half 16th century, with copper-gilt four-stage kikuza tehen-kanamono, kosho-no-kan and agemaki ; the mabizashi and fukigaeshi covered with silk brocade and fitted with engraved copper-gilt fukurin , the five-lame shikoro attached to the koshimaki with four pairs of chrysanthemum-headed studs passing through engraved hasso-kanagu ; with a fine red-lacquered mempo with detachable nosepiece, silver-covered teeth and black hair moustache, and large two-lame yodarekake ; the do fitted with gilt fukurin on the buckskin-covered munaita and gyoyo , the copper-gilt rivet-heads on the front of the do bearing a tsurumaru or "dancing crane" mon ; with associated but probably contemporary ito-iro odoshi kosode, laced in red, white and green in kebiki style, kusari-gote with gilt hyotan-gane and shino , matching haidate and shino-suneate , and a fine red-lacquered maru-no-hi maedate , signed Morikazu
A MOYEGI-ITO-ODOSHI GOLD LACQUERED DOMARU , comprising a fine russet-iron sixty-two plate koboshi bachi , each plate with thirty-one koboshi , the interior gilt, signed Myochin Shigenobu (last character indistinct), second half 16th century, with copper-gilt four-stage kikuza tehen-kanamono, kosho-no-kan and agemaki ; the mabizashi and fukigaeshi covered with silk brocade and fitted with engraved copper-gilt fukurin , the five-lame shikoro attached to the koshimaki with four pairs of chrysanthemum-headed studs passing through engraved hasso-kanagu ; with a fine red-lacquered mempo with detachable nosepiece, silver-covered teeth and black hair moustache, and large two-lame yodarekake ; the do fitted with gilt fukurin on the buckskin-covered munaita and gyoyo , the copper-gilt rivet-heads on the front of the do bearing a tsurumaru or "dancing crane" mon ; with associated but probably contemporary ito-iro odoshi kosode, laced in red, white and green in kebiki style, kusari-gote with gilt hyotan-gane and shino , matching haidate and shino-suneate , and a fine red-lacquered maru-no-hi maedate , signed Morikazu
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