An Arts and Crafts stained hardwood, oak & parquetry inset rectangular dining or centre table, circa 1908-9, Sir Ambrose Heal for Heal & Son, rectangular top with moulded edge incorporating parquetry decoration, on eight square section moulded legs and stretchers, 77cm high, the top 100 x 215cm See Jeremy Cooper, Victorian & Edwardian Furniture & Interiors, London 1987, ill 655 for a very similar example currently held in the Victoria & Albert Museum. The V & A example differs in that it houses frieze drawers below the top. Note: Sir Ambrose Heal (1872-1959) was a designer and businessman celebrated for raising standards in design and craftsmanship in British manufacturing, and in1933 he was knighted for his efforts. Like William Morris before him he championed good craftsmanship, fitness for purpose and reasonable prices. He sought to bring the values of the Arts and Crafts movement to industrial production. A closely comparable sideboard, also held by the Victoria & Albert Museum was made for the Exhibition des Arts Décoratifs de Grande Bretagne held at the Louvre, Paris in 1914. Its simplicity of form and decoration contrasts starkly with elaborate historicist styles of furniture that were popular before the First World War. As an exhibition piece the sideboard adheres to the highest standards of craftsmanship which could only have been achieved at considerable expense. Cheaper pieces of furniture in the same simplified style but with less expensive detailing would have been available in Heals’ stores in London. Condition report disclaimer
An Arts and Crafts stained hardwood, oak & parquetry inset rectangular dining or centre table, circa 1908-9, Sir Ambrose Heal for Heal & Son, rectangular top with moulded edge incorporating parquetry decoration, on eight square section moulded legs and stretchers, 77cm high, the top 100 x 215cm See Jeremy Cooper, Victorian & Edwardian Furniture & Interiors, London 1987, ill 655 for a very similar example currently held in the Victoria & Albert Museum. The V & A example differs in that it houses frieze drawers below the top. Note: Sir Ambrose Heal (1872-1959) was a designer and businessman celebrated for raising standards in design and craftsmanship in British manufacturing, and in1933 he was knighted for his efforts. Like William Morris before him he championed good craftsmanship, fitness for purpose and reasonable prices. He sought to bring the values of the Arts and Crafts movement to industrial production. A closely comparable sideboard, also held by the Victoria & Albert Museum was made for the Exhibition des Arts Décoratifs de Grande Bretagne held at the Louvre, Paris in 1914. Its simplicity of form and decoration contrasts starkly with elaborate historicist styles of furniture that were popular before the First World War. As an exhibition piece the sideboard adheres to the highest standards of craftsmanship which could only have been achieved at considerable expense. Cheaper pieces of furniture in the same simplified style but with less expensive detailing would have been available in Heals’ stores in London. Condition report disclaimer
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