AN IMPORTANT NAPOLEON III ORMOLU MIRROR
BY FERDINAND BARBEDIENNE TO A DESIGN BY ALBERT-ERNEST-CARRIER-BELLEUSE AND DESIRÉ ATTARGE, PARIS, THIRD QUARTER 19TH CENTURY
AN IMPORTANT NAPOLEON III ORMOLU MIRROR BY FERDINAND BARBEDIENNE TO A DESIGN BY ALBERT-ERNEST-CARRIER-BELLEUSE AND DESIRÉ ATTARGE, PARIS, THIRD QUARTER 19TH CENTURY In the Renaissance Revival style, of cartouche outshape cast overall with pierced strapwork filled with trailing foliage, clusters of fruit, flowers, and ribbons, the corners with scrolled lappets enclosing reclining female nudes, the corona with a garland held cartouche centred by a seated nymph emblematic of fortune, the apron base centred by a lion’s mask flanked by seated putti, signed ‘ F. BARBEDIENNE PARIS ’ 6 ft. 7 in. high; 3 ft. 11 in. wide (200 x 120 cm.) 79 x 47 in.
AN IMPORTANT NAPOLEON III ORMOLU MIRROR
BY FERDINAND BARBEDIENNE TO A DESIGN BY ALBERT-ERNEST-CARRIER-BELLEUSE AND DESIRÉ ATTARGE, PARIS, THIRD QUARTER 19TH CENTURY
AN IMPORTANT NAPOLEON III ORMOLU MIRROR BY FERDINAND BARBEDIENNE TO A DESIGN BY ALBERT-ERNEST-CARRIER-BELLEUSE AND DESIRÉ ATTARGE, PARIS, THIRD QUARTER 19TH CENTURY In the Renaissance Revival style, of cartouche outshape cast overall with pierced strapwork filled with trailing foliage, clusters of fruit, flowers, and ribbons, the corners with scrolled lappets enclosing reclining female nudes, the corona with a garland held cartouche centred by a seated nymph emblematic of fortune, the apron base centred by a lion’s mask flanked by seated putti, signed ‘ F. BARBEDIENNE PARIS ’ 6 ft. 7 in. high; 3 ft. 11 in. wide (200 x 120 cm.) 79 x 47 in.
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