André Dubreuil Early "Spine" chair ca. 1986 Bent and welded mild steel. 34 3/4 in. (88.3 cm) high Manufactured by A. D. Decorative Arts, Ltd. From an edition of 10.
Literature Clair Downey, Neo Furniture, London, 1992, p. 56; Pierre Kjellberg, Le Mobilier du XXeme Siecle, Paris, 1994, p. 181; Charlotte and Peter Fiell, 1000 Chairs, Cologne, 1997, p. 602; Yvonne Brunhammer and Marie-Laure Perrin, Le Mobilier Francais 1960-1998, Paris, 1998, p. 43; Charlotte and Peter Fiell, Modern Classics, Postwar to Postmodernism, London, 2001, p. 159, fig. 128 Catalogue Essay André Dubreuil uses traditional metal forging techniques to create lyrical designs in limited quantities. The French decorative tradition is evident in his fanciful and liberal use of curvaceous lines. The “Spine” chair’s traditional material yet quirky sensibility call upon Victorian garden furniture. Read More
André Dubreuil Early "Spine" chair ca. 1986 Bent and welded mild steel. 34 3/4 in. (88.3 cm) high Manufactured by A. D. Decorative Arts, Ltd. From an edition of 10.
Literature Clair Downey, Neo Furniture, London, 1992, p. 56; Pierre Kjellberg, Le Mobilier du XXeme Siecle, Paris, 1994, p. 181; Charlotte and Peter Fiell, 1000 Chairs, Cologne, 1997, p. 602; Yvonne Brunhammer and Marie-Laure Perrin, Le Mobilier Francais 1960-1998, Paris, 1998, p. 43; Charlotte and Peter Fiell, Modern Classics, Postwar to Postmodernism, London, 2001, p. 159, fig. 128 Catalogue Essay André Dubreuil uses traditional metal forging techniques to create lyrical designs in limited quantities. The French decorative tradition is evident in his fanciful and liberal use of curvaceous lines. The “Spine” chair’s traditional material yet quirky sensibility call upon Victorian garden furniture. Read More
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
