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Auction archive: Lot number 27

Andy Warhol

Estimate
£25,000 - £35,000
ca. US$42,261 - US$59,166
Price realised:
n. a.
Auction archive: Lot number 27

Andy Warhol

Estimate
£25,000 - £35,000
ca. US$42,261 - US$59,166
Price realised:
n. a.
Beschreibung:

Andy Warhol New York Post (Madonna on Nude Pix: So what!) 1985 Screenprint, on Lenox Museum Board, with full margins, with colophon and accompanying letter from the Andy Warhol Art Authentication Board, I. 49.2 x 39.4 cm (19 3/8 x 15 1/2 in.) S. 101.6 x 50.5 cm (40 x 19 7/8 in.) an unpublished print, inscribed 'A176.984' in pencil and with the Andy Warhol copyright and Andy Warhol Art Authentication Board, Inc., inkstamps on the reverse, printed by Rupert Jasen Smith, New York, (with their blindstamp), framed.
Literature Frayda Feldman & Jörg Schellmann IIIA.64 Warhol Headlines, exh. cat., National Gallery of Art Washington, Delmonico-Prestel, 2012, p. 175 (another example illustrated) Catalogue Essay Based on the front page of the New York Post Metro/Sports Final edition, July 9 1985. This is part of collaborative work with Keith Haring in honour of the 1985 wedding of Madonna and Sean Penn. Read More Artist Bio Andy Warhol American • 1928 - 1987 A seminal figure in the Pop Art movement of the early 1960s, Andy Warhol's paintings and screenprints are iconic beyond the scope of Art History, having become universal signifiers of an age. An early career in commercial illustration led to Warhol's appropriation of imagery from American popular culture and insistent concern with the superficial wonder of permanent commodification that yielded a synthesis of word and image, of art and the everyday. Warhol's obsession with creating slick, seemingly mass-produced artworks led him towards the commercial technique of screenprinting, which allowed him to produce large editions of his painted subjects. The clean, mechanical surface and perfect registration of the screenprinting process afforded Warhol a revolutionary absence of authorship that was crucial to the Pop Art manifesto. View More Works

Auction archive: Lot number 27
Auction:
Datum:
12 Jun 2014
Auction house:
Phillips
London
Beschreibung:

Andy Warhol New York Post (Madonna on Nude Pix: So what!) 1985 Screenprint, on Lenox Museum Board, with full margins, with colophon and accompanying letter from the Andy Warhol Art Authentication Board, I. 49.2 x 39.4 cm (19 3/8 x 15 1/2 in.) S. 101.6 x 50.5 cm (40 x 19 7/8 in.) an unpublished print, inscribed 'A176.984' in pencil and with the Andy Warhol copyright and Andy Warhol Art Authentication Board, Inc., inkstamps on the reverse, printed by Rupert Jasen Smith, New York, (with their blindstamp), framed.
Literature Frayda Feldman & Jörg Schellmann IIIA.64 Warhol Headlines, exh. cat., National Gallery of Art Washington, Delmonico-Prestel, 2012, p. 175 (another example illustrated) Catalogue Essay Based on the front page of the New York Post Metro/Sports Final edition, July 9 1985. This is part of collaborative work with Keith Haring in honour of the 1985 wedding of Madonna and Sean Penn. Read More Artist Bio Andy Warhol American • 1928 - 1987 A seminal figure in the Pop Art movement of the early 1960s, Andy Warhol's paintings and screenprints are iconic beyond the scope of Art History, having become universal signifiers of an age. An early career in commercial illustration led to Warhol's appropriation of imagery from American popular culture and insistent concern with the superficial wonder of permanent commodification that yielded a synthesis of word and image, of art and the everyday. Warhol's obsession with creating slick, seemingly mass-produced artworks led him towards the commercial technique of screenprinting, which allowed him to produce large editions of his painted subjects. The clean, mechanical surface and perfect registration of the screenprinting process afforded Warhol a revolutionary absence of authorship that was crucial to the Pop Art manifesto. View More Works

Auction archive: Lot number 27
Auction:
Datum:
12 Jun 2014
Auction house:
Phillips
London
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