Attributed to George Cruikshank original caricaturea huge steaming kettle on wheels surrounded by a crowd outside an inn, pen and ink over pencil, early 19th century, indistinclty inscribed in pencil, 100 x 160mm. (4 x 6 1/4 in) § E. Rupenhausen, after William Hogarth 2 bound sets of 6 reduced plates each, including the Times of the Day and A Harlot's Progress, copper engravings, Germany, late 18th century, each c.230 x 290mm. (9 x 11 1/2 in), or the reverse, some smaller, with tissue guards, in original marbled paper, slightly rubbed, with printed labels to upper covers, in original wrapper; with an engraved caricature, The Dull Husband, by Thomas Rowlandson an engraved portrait, and an invitation to M. Delepierre from The Royal Corporation of the Literary Fund to a formal dinner in 1850 (6)
Attributed to George Cruikshank original caricaturea huge steaming kettle on wheels surrounded by a crowd outside an inn, pen and ink over pencil, early 19th century, indistinclty inscribed in pencil, 100 x 160mm. (4 x 6 1/4 in) § E. Rupenhausen, after William Hogarth 2 bound sets of 6 reduced plates each, including the Times of the Day and A Harlot's Progress, copper engravings, Germany, late 18th century, each c.230 x 290mm. (9 x 11 1/2 in), or the reverse, some smaller, with tissue guards, in original marbled paper, slightly rubbed, with printed labels to upper covers, in original wrapper; with an engraved caricature, The Dull Husband, by Thomas Rowlandson an engraved portrait, and an invitation to M. Delepierre from The Royal Corporation of the Literary Fund to a formal dinner in 1850 (6)
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