Attributed to the Master of the Liège Disciples at Emmaus (possibly Jan van Amstel (active Antwerp, mid-16th century) Leda and her children in a mountainous landscape with Saint Antony Abbot and the centaur beyond with the owl device of Herri met de Bles (lower centre) oil on panel 16 ¼ x 22 1/8 in. (41 x 56.1 cm.) with inventory number '707' (lower left) Provenance (Probably) Recorded in the 1693 inventory of Giovanni Battista Borghese, Principe di Rossano (1639-1717), Palazzo Borghese, Rome, as ‘un quadro in tavola alto due palmi in circa con una Donna nuda a sedere con tre puttini attorno con altre figurine del No 707 con cornice dorata dell'autore Civetta’. Acquired by the grandfather of the present owner. Kunstsammlungen zu Weimar, 1945, inv. 4, whence restituted to the father of the present owner in 1993.
Attributed to the Master of the Liège Disciples at Emmaus (possibly Jan van Amstel (active Antwerp, mid-16th century) Leda and her children in a mountainous landscape with Saint Antony Abbot and the centaur beyond with the owl device of Herri met de Bles (lower centre) oil on panel 16 ¼ x 22 1/8 in. (41 x 56.1 cm.) with inventory number '707' (lower left) Provenance (Probably) Recorded in the 1693 inventory of Giovanni Battista Borghese, Principe di Rossano (1639-1717), Palazzo Borghese, Rome, as ‘un quadro in tavola alto due palmi in circa con una Donna nuda a sedere con tre puttini attorno con altre figurine del No 707 con cornice dorata dell'autore Civetta’. Acquired by the grandfather of the present owner. Kunstsammlungen zu Weimar, 1945, inv. 4, whence restituted to the father of the present owner in 1993.
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