Bach, Johann Christoph (1642-1703) IMPORTANT MID EIGHTEENTH-CENTURY MANUSCRIPT OF THE 22-PART VOCAL 'CONCERTO' "ES ERHUB SICH EIN STREIT", BOLDLY INSCRIBED ON THE TITLE PAGE ("JOHANN CHRISTOPH BACH") the music in the hand of Johann Friedrich Hering, a member of C.P.E. Bach's circle in Berlin and a copyist of his music, written in dark brown ink on up to twenty-three hand-drawn staves per page, scored for violins (2), violas (4). bassoon, trumpets (4, "trombetta"), timpani, two 5-part choruses ("Concertæ" and "Capella"), and basso continuo, the text and titles above the first page of music in another hand ("22 Vocum...I.C. Bach" and "Sonata"), the title-page numbered "No.2" 28 pages, plus title, folio (c.36.5 x 23.5cms), two or possibly three paper-types in all (including the watermarks ICM and R; BERLIN CAMMER[PAPPIER] and GRISEL?), nineteenth-century boards, [Berlin, around 1760], some foxing to first 3 leaves, some wear and chipping to margins,
Bach, Johann Christoph (1642-1703) IMPORTANT MID EIGHTEENTH-CENTURY MANUSCRIPT OF THE 22-PART VOCAL 'CONCERTO' "ES ERHUB SICH EIN STREIT", BOLDLY INSCRIBED ON THE TITLE PAGE ("JOHANN CHRISTOPH BACH") the music in the hand of Johann Friedrich Hering, a member of C.P.E. Bach's circle in Berlin and a copyist of his music, written in dark brown ink on up to twenty-three hand-drawn staves per page, scored for violins (2), violas (4). bassoon, trumpets (4, "trombetta"), timpani, two 5-part choruses ("Concertæ" and "Capella"), and basso continuo, the text and titles above the first page of music in another hand ("22 Vocum...I.C. Bach" and "Sonata"), the title-page numbered "No.2" 28 pages, plus title, folio (c.36.5 x 23.5cms), two or possibly three paper-types in all (including the watermarks ICM and R; BERLIN CAMMER[PAPPIER] and GRISEL?), nineteenth-century boards, [Berlin, around 1760], some foxing to first 3 leaves, some wear and chipping to margins,
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