Beaton (Cecil, 1904-1980). Portrait of the fashion editor Madge Garland, 1929, vintage bromide print, half-length, face full to camera, dated in ink to lower right corner, a few small surface marks, a lengthy presentation inscription to verso bequeathing the photograph from Yvonne to Shaunagh, 24 July 1990, 21 x 16.5 cm, together with 2 other vintage bromide prints of Madge Garland wearing designer hats, one titled 'Madge, 1931' in ink to lower margin of photograph, 23.5 x 19 cm, original mount with pencil signature of Madame Yevonde to lower margin and stamp to verso, the second of an unidentified photographer, the sitter with her hand on the head of a marble horse, 19 x 20 cm, original mount, inscribed 'Neme - 1933, love to Bübchen', plus a later gelatin silver print from an original in the National Portrait Gallery and Lady Ashton's British dark blue passport (expired 18 September 1985)
Beaton (Cecil, 1904-1980). Portrait of the fashion editor Madge Garland, 1929, vintage bromide print, half-length, face full to camera, dated in ink to lower right corner, a few small surface marks, a lengthy presentation inscription to verso bequeathing the photograph from Yvonne to Shaunagh, 24 July 1990, 21 x 16.5 cm, together with 2 other vintage bromide prints of Madge Garland wearing designer hats, one titled 'Madge, 1931' in ink to lower margin of photograph, 23.5 x 19 cm, original mount with pencil signature of Madame Yevonde to lower margin and stamp to verso, the second of an unidentified photographer, the sitter with her hand on the head of a marble horse, 19 x 20 cm, original mount, inscribed 'Neme - 1933, love to Bübchen', plus a later gelatin silver print from an original in the National Portrait Gallery and Lady Ashton's British dark blue passport (expired 18 September 1985)
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