Beschreibung:

BOOK OF HOURS, use of Paris, in Latin and French, ILLUMINATED MANUSCRIPT ON VELLUM [Paris, c.1465] 164 x 106mm. iv + 235 + i leaves: apparently COMPLETE, modern pencil foliation 1-233, missing a folio after 69 and numbering two leaves 80, followed here, 15 lines in black ink in a gothic bookhand between two verticals and 16 horizontals ruled in pink, top and bottom across margins, rubrics in dark pink in the Calendar and in red elsewhere, text capitals touched yellow, one- and two-line initials of burnished gold against grounds of pink or blue with white decoration, infills of the other colour, line-endings of similar type, three- and four-line initials with staves of monochrome-patterned pink or blue against grounds of burnished gold with ivy-leaf sprays, panel borders with hairline sprays of golden trefoils and disks with flower or fruit terminals in the outer margin of every page with a two-line initial, three-sided borders of similar type with a bar baguette on every page with a three- or four-line initial, FOURTEEN ARCH-TOPPED MINIATURES accompanied by full-page borders around a three-sided bar baguette with blue and gold acanthus alternating with sprays of naturalistic fruit and flowers, all interspersed with gold disks and penwork squiggles (occasional smudging of ink-outlining, most severe on ff.128 and 189 where miniatures carefully retouched, tiny pigment losses in pink draperies of some miniatures, offsetting from a few borders, small stains in margins of first six folios and added prayer erased from lower margin of f.1). Parisian gold-tooled calf over pasteboard, third quarter of the 16th century, blocked arabesque cornerpieces and oval centrepiece and semé with small flowerheads, surrounded by multiple fillets and roll-tooled border of hatched scrolling foliage, spine with raised bands, hatched ornament tooled in the five compartments, gilt-edges (traces of blue paint in the oval compartment of front cover, lacking two silk fore-edge ties, small cracks to joints). PROVENANCE: 1. Made for a lady represented by the kneeling figure in the miniature of the Elevation of the Host on f.30. The repeated presence of suffrages to St Margaret and the exceptional inclusion of her Legend in verse suggests the possibility that she was named Marguerite. Although the use of the Office of the Virgin is for Paris, the presence in the Calendar of Maximus in red (20 August), and in the Litany of Gatian and Lidorus would rather suggest Tours. The cult of St Neomadia (Neosnadia), to whom there are two suffrages, was limited to Poitiers. It is possible that these inclusions reflect the owner's origins rather than the place of manufacture, for the style of the illumination appears Parisian. 2. A slip of paper inserted between ff.ii and iii written in a 16th-century hand notes the dates of the deaths of Guillaume de ?Villnay and his wife Anne de Bellan, founders of the Cordeliers in city of Autun. 3. Rabutin family: record of the birth on 28 December 1634 of Antoinette Louise de Rabutin, daughter of Jacques de Rabutin and dame Phelipe de Moroge written on f.iii, and subscribed cine par sa mere Ph de moroge . The record identifies one of Antoinette's godmothers as Dame Peronne Desmarins and P. Desmarins is written in the lower margin of folio 15. Perhaps the Hours was a baptismal gift. The birth of a second daughter in 1636 is registered below the first entry. Notes inside the upper cover, partly obscured by the Beeleigh Abbey bookplate, appear to record the general confessions made by the owner up to September 1634. 4. Anatole Delorme of Orléans, 1869: inscription on f.iv 5. Quaritch 1931, no 42. 6. The Library of William Foyle: sale in these rooms 11 July 2000, lot 44, Beeleigh Abbey bookplate inside upper cover. CONTENT: Rabutin family records and added prayers ff.i-iv; Calendar ff.1-12v; Gospel Extracts ff.13-18; Obsecro te ff.18v-22v; O Intemerata ff.22v-26v; O tres certaine esperance dame et deffenderesse ff.26v-29; Sequenc