[Bourgeois, Louise]. The Compleat Midwife's Practice Enlarged … The second edition corrected, by R.C. I.D. M.S. T.B. Practitioners of the said Art. With a full supply of those rare secrets which Mr. Culpeper in his Brief Treatise of Midwifry, and other English writers, have kept close to themselves, concealed, or wholly omitted. Printed for Nath. Brook, 1659, [16], 309, [11], engraved portrait frontispiece, 5 engraved plates, including 2 folding, separate title-page to A Full Supply.., by T. Chamberlaine, very small hole to D1 not affecting text (generally a very good, clean copy), contemporary calf ruled in blind, 8vo (Qty: 1) Wing C1817D; Thomason E.1723[1]. Enlarged edition of the French midwife Louise Bourgeois’ book on obstetrics, Observations diverses sur la sterilité, perte de fruict, foecondité, accouchements, et maladies des femmes et enfants nouveaux naiz (Paris, 1609), in which she described herself as ‘the first woman practicing my art to take up the pen’. It was translated into German, Dutch, and English, and was influential throughout Europe in the 17th century.
[Bourgeois, Louise]. The Compleat Midwife's Practice Enlarged … The second edition corrected, by R.C. I.D. M.S. T.B. Practitioners of the said Art. With a full supply of those rare secrets which Mr. Culpeper in his Brief Treatise of Midwifry, and other English writers, have kept close to themselves, concealed, or wholly omitted. Printed for Nath. Brook, 1659, [16], 309, [11], engraved portrait frontispiece, 5 engraved plates, including 2 folding, separate title-page to A Full Supply.., by T. Chamberlaine, very small hole to D1 not affecting text (generally a very good, clean copy), contemporary calf ruled in blind, 8vo (Qty: 1) Wing C1817D; Thomason E.1723[1]. Enlarged edition of the French midwife Louise Bourgeois’ book on obstetrics, Observations diverses sur la sterilité, perte de fruict, foecondité, accouchements, et maladies des femmes et enfants nouveaux naiz (Paris, 1609), in which she described herself as ‘the first woman practicing my art to take up the pen’. It was translated into German, Dutch, and English, and was influential throughout Europe in the 17th century.
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