A collection of photographs and ephemera
including nine photographs and film stills of him in “The Astonished Heart”, “Bunny Lake is Missing”, “Knock on Wood”, and “In Which We Serve”, and another of him dressed in morning coat and cravatte; eighteen photographs of Geoffrey Palmer, Jill Bennett, John Standing, Pinkie Johnstone and others in “Private Lives”, [Queen’s Theatre, 1972], all approximately 210mm. by 255mm .; seventeen programmes including, “On with the Dance”, [1925], two for Marie Tempest in “Hay Fever” [1925], and “The Marquise” [1926], and others; sheet music for ten songs including “Come a Little Closer”, 1925; “Someday I’ll Find You”, 1930, and “Imagine the Duchess’s Feelings”1941, al with the publisher’s “file copy” stamp; and six letterpress posters, four for “South Sea Bubble”, “Nude with Violin”, “Present Laughter” and “Design for Living”, printed in red and black, approximately 760mm. by 505mm.
A collection of photographs and ephemera
including nine photographs and film stills of him in “The Astonished Heart”, “Bunny Lake is Missing”, “Knock on Wood”, and “In Which We Serve”, and another of him dressed in morning coat and cravatte; eighteen photographs of Geoffrey Palmer, Jill Bennett, John Standing, Pinkie Johnstone and others in “Private Lives”, [Queen’s Theatre, 1972], all approximately 210mm. by 255mm .; seventeen programmes including, “On with the Dance”, [1925], two for Marie Tempest in “Hay Fever” [1925], and “The Marquise” [1926], and others; sheet music for ten songs including “Come a Little Closer”, 1925; “Someday I’ll Find You”, 1930, and “Imagine the Duchess’s Feelings”1941, al with the publisher’s “file copy” stamp; and six letterpress posters, four for “South Sea Bubble”, “Nude with Violin”, “Present Laughter” and “Design for Living”, printed in red and black, approximately 760mm. by 505mm.
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