Delius, Frederick. ALBERT SAMMONS'S COPY OF THE VIOLIN CONCERTO, COMPRISING THE FIRST EDITION FOR VIOLIN AND PIANO, SIGNED AND INSCRIBED BY DELIUS TO SAMMONS AND ANNOTATED BY THE VIOLINIST, TOGETHER WITH SAMMONS'S AUTOGRAPH TRANSCRIPTION OF THE COMPLETE VIOLIN PART 1) Concerto for violin & piano [arranged by Peter Warlock], London, Augener, [1919], inscribed on the title ("To Albert Sammons with sincere admiration, Frederick Delius"), 24 pages, folio, with revisions and many alterations and annotations by Sammons in ink and pencil, the title-page detached and transferred to the manuscript violin part, tears repaired with adhesive tape, staining on title 2) Sammons's autograph transcription of the violin part, written in blue-black ink on 12 staves per page, with his fingering & bowings throughout, alterations and revisions, additional performance markings added by him in pencil ("largamente"), and notes on timings, some cues written on slips of paper pasted in, the "Allegretto" section (Fig. 32) struck through and rewritten, 12 pages, folio, [1919], repairs with adhesive tape
Delius, Frederick. ALBERT SAMMONS'S COPY OF THE VIOLIN CONCERTO, COMPRISING THE FIRST EDITION FOR VIOLIN AND PIANO, SIGNED AND INSCRIBED BY DELIUS TO SAMMONS AND ANNOTATED BY THE VIOLINIST, TOGETHER WITH SAMMONS'S AUTOGRAPH TRANSCRIPTION OF THE COMPLETE VIOLIN PART 1) Concerto for violin & piano [arranged by Peter Warlock], London, Augener, [1919], inscribed on the title ("To Albert Sammons with sincere admiration, Frederick Delius"), 24 pages, folio, with revisions and many alterations and annotations by Sammons in ink and pencil, the title-page detached and transferred to the manuscript violin part, tears repaired with adhesive tape, staining on title 2) Sammons's autograph transcription of the violin part, written in blue-black ink on 12 staves per page, with his fingering & bowings throughout, alterations and revisions, additional performance markings added by him in pencil ("largamente"), and notes on timings, some cues written on slips of paper pasted in, the "Allegretto" section (Fig. 32) struck through and rewritten, 12 pages, folio, [1919], repairs with adhesive tape
.jpg "Source: Christie's")
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
