Gallimaufry, including a voucher signed by Horatio Nelson with his right hand, Antigua, 12 April 1787 (badly damaged); a warrant signed by the Duke of Norfolk, Earl Marshal, for "A Coate of his Majesties Arms as they are now" to be made for "John Dugdale... now made Noroy King of Arms", 13 March 1685/6; a document signed by Walter Curle, Bishop of Winchester, as Great Almoner, 1641; three victualling documents signed by Jonas Hanway; an inscribed offprint of his review of Dibbern's Quest by Henry Miller; a cricketing photograph of H.G. Wells; and letters by John Ruskin (fragment, about the PRB, 1856 - "The Idea that the pre-Raphaelites imitate the defects of early masters is wholly absurd - They all paint far better than any of the men who exclaim against them - & imitate nature only"), his mother Margaret Ruskin, William IV, B.L. Montgomery, Karl Jaspers, R.C. Sheriff (on the reception of his play [Journey's End] in Stockholm, 1929), Sir Ian Hamilton (group), Lord Carnarvon (to Dr Wallick superintendent of the Calcutta Botanic Garden, 1821), Malcolm Arnold ("...I do not keep records of my works, believing that such things are best forgotten..."), etc.
Gallimaufry, including a voucher signed by Horatio Nelson with his right hand, Antigua, 12 April 1787 (badly damaged); a warrant signed by the Duke of Norfolk, Earl Marshal, for "A Coate of his Majesties Arms as they are now" to be made for "John Dugdale... now made Noroy King of Arms", 13 March 1685/6; a document signed by Walter Curle, Bishop of Winchester, as Great Almoner, 1641; three victualling documents signed by Jonas Hanway; an inscribed offprint of his review of Dibbern's Quest by Henry Miller; a cricketing photograph of H.G. Wells; and letters by John Ruskin (fragment, about the PRB, 1856 - "The Idea that the pre-Raphaelites imitate the defects of early masters is wholly absurd - They all paint far better than any of the men who exclaim against them - & imitate nature only"), his mother Margaret Ruskin, William IV, B.L. Montgomery, Karl Jaspers, R.C. Sheriff (on the reception of his play [Journey's End] in Stockholm, 1929), Sir Ian Hamilton (group), Lord Carnarvon (to Dr Wallick superintendent of the Calcutta Botanic Garden, 1821), Malcolm Arnold ("...I do not keep records of my works, believing that such things are best forgotten..."), etc.
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