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Auction archive: Lot number 180

Gerhard Richter

Estimate
£40,000 - £60,000
ca. US$55,396 - US$83,094
Price realised:
£112,500
ca. US$155,802
Auction archive: Lot number 180

Gerhard Richter

Estimate
£40,000 - £60,000
ca. US$55,396 - US$83,094
Price realised:
£112,500
ca. US$155,802
Beschreibung:

Gerhard Richter Follow Rot - Blau - Gelb [338-35] signed, numbered and dated '35 Richter '73' on the reverse oil on canvas 26.4 x 53.4 cm (10 3/8 x 21 in.) Painted in 1973.
Provenance Acquired directly from the artist by the present owner's father Literature Dietmar Elger, Gerhard Richter Catalogue Raisonné 1968 - 1976 , vol. II, Dresden, 1993, no. 338 1-100, pp. 508, 509 (illustrated) Suzanne Pagé, Jacob Wenzel, Björn Springfield, Kasper König and Benjamin Buchloh, eds., Gerhard Richter Catalogue Raisonné 1962-1993 , Ostfildern, 1993, no. 338/1-100, p. 164 (illustrated, p. 165) Hubertus Butin, Gerhard Richter Editionen 1965 - 2004, Catalogue Raisonne , Ostfildern, 2004, no. 50, pp. 34 and 190 Hubertus Butin, Stefan Gronert and Thomas Olbricht, eds., Gerhard Richter Editions 1965 - 2013 , Ostfildern, 2014, pp. 42-43, 214 Gerhard Richter Die Editionen , exh. cat., Museum Folkwang, Essen, 7 April - 30 July 2017, pp. 40-41 Artist Bio Gerhard Richter German • 1932 Follow Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6) , 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016. View More Works

Auction archive: Lot number 180
Auction:
Datum:
9 Mar 2018
Auction house:
Phillips
London
Beschreibung:

Gerhard Richter Follow Rot - Blau - Gelb [338-35] signed, numbered and dated '35 Richter '73' on the reverse oil on canvas 26.4 x 53.4 cm (10 3/8 x 21 in.) Painted in 1973.
Provenance Acquired directly from the artist by the present owner's father Literature Dietmar Elger, Gerhard Richter Catalogue Raisonné 1968 - 1976 , vol. II, Dresden, 1993, no. 338 1-100, pp. 508, 509 (illustrated) Suzanne Pagé, Jacob Wenzel, Björn Springfield, Kasper König and Benjamin Buchloh, eds., Gerhard Richter Catalogue Raisonné 1962-1993 , Ostfildern, 1993, no. 338/1-100, p. 164 (illustrated, p. 165) Hubertus Butin, Gerhard Richter Editionen 1965 - 2004, Catalogue Raisonne , Ostfildern, 2004, no. 50, pp. 34 and 190 Hubertus Butin, Stefan Gronert and Thomas Olbricht, eds., Gerhard Richter Editions 1965 - 2013 , Ostfildern, 2014, pp. 42-43, 214 Gerhard Richter Die Editionen , exh. cat., Museum Folkwang, Essen, 7 April - 30 July 2017, pp. 40-41 Artist Bio Gerhard Richter German • 1932 Follow Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6) , 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016. View More Works

Auction archive: Lot number 180
Auction:
Datum:
9 Mar 2018
Auction house:
Phillips
London
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