Gerrit Thomas Rietveld “Berlin” chair designed 1923, executed ca. 1957 Painted wood. 41 1/8 in. (104.5 cm) high Produced by G.A. van der Groenekan, Germany. Underside with paper label “G. A. v. d. GROENENKAN/Utrechtseweg 315, DE BILT, NEDERLAND.
Provenance Wright, Design, Chicago, May 21, 2006, Lot 212 Literature Daniele Baroni, The Furniture of Gerrit Thomas Rietveld New York, 1978, p. 17 and pp. 92–93; Dan Klein, Nancy A. McClelland and Malcolm Haslam, In The Deco Style, London, 1987, p. 116; Alastair Duncan, Modernism: Modernist Design 1880–1940, Minneapolis, 1988, p. 138; Carsten-Peter Warncke, De Stijl 1917–1931, Cologne, 1990, p. 127; Peter Vöge, The Complete Rietveld Furniture, Rotterdam, 1993, p. 61, fig. 53 Artist Bio Gerrit Thomas Rietveld Dutch • 1888 - 1964 Gerrit Thomas Rietveld began as an apprentice in his father's cabinetmaking workshop, going on to train and work as a draftsman. In 1917 he started his own furniture-making workshop in Utrecht. Positive critical review by Theo van Doesburg in his journal De Stijl resulted in near-instantaneous influence on broader developments in European modernism. This connection to the De Stijl movement also inspired him to introduce color to the posts, rails and terminals of his furniture. His resulting "Red-blue" armchair is among the most iconic chair designs of the twentieth century. From the beginning, Rietveld embraced modernist principles of functionalism, simplicity of form and mass-production, and eventually moved away from De Stijl to become a member of the Congrès Internationaux d'Architecture Moderne (CIAM). Rietveld worked through the post-war years, completing a number of private residences, housing developments and institutions. He continued to design furniture for these commissions as well as for retailers like Metz & Co. View More Works
Gerrit Thomas Rietveld “Berlin” chair designed 1923, executed ca. 1957 Painted wood. 41 1/8 in. (104.5 cm) high Produced by G.A. van der Groenekan, Germany. Underside with paper label “G. A. v. d. GROENENKAN/Utrechtseweg 315, DE BILT, NEDERLAND.
Provenance Wright, Design, Chicago, May 21, 2006, Lot 212 Literature Daniele Baroni, The Furniture of Gerrit Thomas Rietveld New York, 1978, p. 17 and pp. 92–93; Dan Klein, Nancy A. McClelland and Malcolm Haslam, In The Deco Style, London, 1987, p. 116; Alastair Duncan, Modernism: Modernist Design 1880–1940, Minneapolis, 1988, p. 138; Carsten-Peter Warncke, De Stijl 1917–1931, Cologne, 1990, p. 127; Peter Vöge, The Complete Rietveld Furniture, Rotterdam, 1993, p. 61, fig. 53 Artist Bio Gerrit Thomas Rietveld Dutch • 1888 - 1964 Gerrit Thomas Rietveld began as an apprentice in his father's cabinetmaking workshop, going on to train and work as a draftsman. In 1917 he started his own furniture-making workshop in Utrecht. Positive critical review by Theo van Doesburg in his journal De Stijl resulted in near-instantaneous influence on broader developments in European modernism. This connection to the De Stijl movement also inspired him to introduce color to the posts, rails and terminals of his furniture. His resulting "Red-blue" armchair is among the most iconic chair designs of the twentieth century. From the beginning, Rietveld embraced modernist principles of functionalism, simplicity of form and mass-production, and eventually moved away from De Stijl to become a member of the Congrès Internationaux d'Architecture Moderne (CIAM). Rietveld worked through the post-war years, completing a number of private residences, housing developments and institutions. He continued to design furniture for these commissions as well as for retailers like Metz & Co. View More Works
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
