Golden Cockerel Press.- Mabinogion, translated by Gwyn Jones and Thomas Jones one of 550 copies, wood-engravings by Dorothea Braby, some light spotting, original pictorial half tan morocco, gilt, by Sangorski & Sutcliffe, spine very slightly faded, stain to upper cover, 1948 § Clay (Enid) The Constant Mistress, one of 300 copies signed by the author and artist, wood-engravings by Eric Gill original cloth-backed boards, a little mottled (as often), 1934 § Swinburne (A.C.) Lucretia Borgia, one of 350 copies, wood-engravings by Reynolds Stone original vellum-backed boards, frayed glacine wrapper, 1942 § Bannet (Ivor) The Amazons, one of 500 copies, wood-engravings by Clifford Webb, original half morocco, 1948, plates and illustrations, uncut, [Cockalorum 176, Chanticleer 101, Pertelote 152 & Cockalorum 181]; and 19 others from the press, v.s., Golden Cockerel Press (23)
Golden Cockerel Press.- Mabinogion, translated by Gwyn Jones and Thomas Jones one of 550 copies, wood-engravings by Dorothea Braby, some light spotting, original pictorial half tan morocco, gilt, by Sangorski & Sutcliffe, spine very slightly faded, stain to upper cover, 1948 § Clay (Enid) The Constant Mistress, one of 300 copies signed by the author and artist, wood-engravings by Eric Gill original cloth-backed boards, a little mottled (as often), 1934 § Swinburne (A.C.) Lucretia Borgia, one of 350 copies, wood-engravings by Reynolds Stone original vellum-backed boards, frayed glacine wrapper, 1942 § Bannet (Ivor) The Amazons, one of 500 copies, wood-engravings by Clifford Webb, original half morocco, 1948, plates and illustrations, uncut, [Cockalorum 176, Chanticleer 101, Pertelote 152 & Cockalorum 181]; and 19 others from the press, v.s., Golden Cockerel Press (23)
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
