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Auction archive: Lot number 134

H. MATISSE. SERIES OF ELEVEN AUTOGRAPH LETTERS TO HIS WIFE AMÉLIE, SEVILLE & MOSCOW, 1911

Estimate
£12,000 - £15,000
ca. US$16,098 - US$20,122
Price realised:
n. a.
Auction archive: Lot number 134

H. MATISSE. SERIES OF ELEVEN AUTOGRAPH LETTERS TO HIS WIFE AMÉLIE, SEVILLE & MOSCOW, 1911

Estimate
£12,000 - £15,000
ca. US$16,098 - US$20,122
Price realised:
n. a.
Beschreibung:

including his two still-lifes painted for his patron Sergei Shchukin, discussing the promising sketch that he had shared with her, which he asks her to keep, and his start on work on the painting itself, arranging for their framing and transport and expressing doubts about the first of the two paintings, reporting the sights he has seen in the public square that will help him with further work for Shchukin, namely the decorations for his palace in Moscow (confessing that the commission filled him with dread), asking her to check the contract with the dealer Bernheim for the sizes of the canvases involved ("...2 toiles d'environ 40? Si oui télégraphie: 2 toiles 40 environ, si non..."), explaining that he would like to ship them from Seville, for which he needs frames, and also discusses painting a landscape of palm trees viewed from his window; he tells her he has written to Leo Stein and Sembat, asks if she has seen Olga Meerson, reports his time staying at the elegant club of the painter Auguste Bréal, his depression, disturbed sleep in the noisy club and hotel, explaining why he cannot return home to Issy, two days by train, since he finds the sunshine in Seville conducive to his work (something impossible in Issy), tells her that staying with Etienne Terrus did him a power of good, and discusses travel plans, when she might visit him in Seville and whether to bring Albert Marquet organizing tickets for her, when she might pay the rent in Issy, lamenting the lack of letters from her, and urging her to write something to him, even about trivial matters every day ("...J'ai travaillé à ma deuxième nature-morte aujourd'hui, j'ai commence à peindre, la composition est bonne nous verrons la peinture. Tu me disais dans ta lettre que ça avait l'air de marcher d'après mon croquis. C'est vrais il est bien, aussi je t'ai-je dis de la garder..."); in his two letters from Moscow, Matisse describes being treated with great acclamation by the Russians, whom he hopes will maintain their interest, and the great hospitality of Olga Meerson's family, Shchukin's cousin Ostroukhov, and Mmes Vogt and Vova, who took him to a cabaret and to the mountains where Napoleon had viewed Moscow burning, and his desire to see an opera, although it is by Rimsky-Korsakov, 34 pages, 4to and 8vo, closely written (including vertically in the margins), including a note written on a Moscow newspaper, Madrid (printed stationery of the Hotel Inglés), Seville ("Círculo de Labradores y Propietarios") and Moscow, 1 January to 2 December 1911 (some dated 1910, apparently in error and corrected by the author)

Auction archive: Lot number 134
Auction:
Datum:
5 Dec 2017
Auction house:
Sotheby's
London
Beschreibung:

including his two still-lifes painted for his patron Sergei Shchukin, discussing the promising sketch that he had shared with her, which he asks her to keep, and his start on work on the painting itself, arranging for their framing and transport and expressing doubts about the first of the two paintings, reporting the sights he has seen in the public square that will help him with further work for Shchukin, namely the decorations for his palace in Moscow (confessing that the commission filled him with dread), asking her to check the contract with the dealer Bernheim for the sizes of the canvases involved ("...2 toiles d'environ 40? Si oui télégraphie: 2 toiles 40 environ, si non..."), explaining that he would like to ship them from Seville, for which he needs frames, and also discusses painting a landscape of palm trees viewed from his window; he tells her he has written to Leo Stein and Sembat, asks if she has seen Olga Meerson, reports his time staying at the elegant club of the painter Auguste Bréal, his depression, disturbed sleep in the noisy club and hotel, explaining why he cannot return home to Issy, two days by train, since he finds the sunshine in Seville conducive to his work (something impossible in Issy), tells her that staying with Etienne Terrus did him a power of good, and discusses travel plans, when she might visit him in Seville and whether to bring Albert Marquet organizing tickets for her, when she might pay the rent in Issy, lamenting the lack of letters from her, and urging her to write something to him, even about trivial matters every day ("...J'ai travaillé à ma deuxième nature-morte aujourd'hui, j'ai commence à peindre, la composition est bonne nous verrons la peinture. Tu me disais dans ta lettre que ça avait l'air de marcher d'après mon croquis. C'est vrais il est bien, aussi je t'ai-je dis de la garder..."); in his two letters from Moscow, Matisse describes being treated with great acclamation by the Russians, whom he hopes will maintain their interest, and the great hospitality of Olga Meerson's family, Shchukin's cousin Ostroukhov, and Mmes Vogt and Vova, who took him to a cabaret and to the mountains where Napoleon had viewed Moscow burning, and his desire to see an opera, although it is by Rimsky-Korsakov, 34 pages, 4to and 8vo, closely written (including vertically in the margins), including a note written on a Moscow newspaper, Madrid (printed stationery of the Hotel Inglés), Seville ("Círculo de Labradores y Propietarios") and Moscow, 1 January to 2 December 1911 (some dated 1910, apparently in error and corrected by the author)

Auction archive: Lot number 134
Auction:
Datum:
5 Dec 2017
Auction house:
Sotheby's
London
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