Premium pages left without account:

Auction archive: Lot number 34

HENRI 'LE DOUANIER' ROUSSEAU (1844-1910)

Estimate
US$20,000,000 - US$30,000,000
Price realised:
US$43,535,000
Auction archive: Lot number 34

HENRI 'LE DOUANIER' ROUSSEAU (1844-1910)

Estimate
US$20,000,000 - US$30,000,000
Price realised:
US$43,535,000
Beschreibung:

Details
HENRI 'LE DOUANIER' ROUSSEAU (1844-1910)
Les Flamants
signed 'Henri Rousseau' (lower left)
oil on canvas
44 7/8 x 63 1/4 in. (113.8 x 162 cm.)
Painted in 1910
Provenance
Wilhelm Uhde, Paris (probably acquired from the artist, 1910, until at least 1912).
Paul and Charlotte (Lotte) von Mendelssohn-Bartholdy, Berlin (by 1926).
Paul von Mendelssohn-Bartholdy, Berlin (1927).
Elsa von Kesselstatt, Vaduz (by descent from the above, 1935).
M. Knoedler & Co., Inc. and Rudolf Heinemann, New York (acquired from the above through Walter Feilchenfeldt, Zurich, 2 September 1949).
Charles S. and Joan Whitney Payson, New York (acquired from the above, October 1949).
By descent from the above to the late owner.
Literature
A. Warnod, Comoedia, 30 October 1912.
R. Grey, “Henri Rousseau” in Action: Cahiers de philosophie et d'art, vol. 2, no. 7, May 1921 (illustrated; titled La berge aux flamants).
A. Basler, Henri Rousseau Sa vie—son oeuvre, Paris, 1927, p. 11 (illustrated, pl. 41; dated 1906).
A. Salmon, Henri Rousseau dit Le Douanier, Paris, 1927, p. 140, no. 32 (illustrated).
P. Soupault, Henri Rousseau Le Douanier, Paris, 1927 (illustrated, pl. 30; dated circa 1907).
C. Zervos, Henri Rousseau Paris, 1927, p. 111 (illustrated, p. 64).
Der Querschnitt, vol. IX, no. 6, June 1929 (illustrated).
C. Burrows, “Letter from New York” in Apollo: A Journal of the Arts, vol. 13, January 1931, p. 181.
C. Einstein, Die Kunst des 20. Jahrhunderts, Berlin, 1931, p. 636 (illustrated in color, pl. IV).
R. Flint, “Henri Rousseau has his First One Man Show” in The Art News, vol. 29, no. 14, 3 January 1931, pp. 3-4.
C.J. Bulliet, The Significant Moderns and their Pictures, New York, 1936, no. 135 (illustrated).
R. Grey, Henri Rousseau Paris, 1943, no. 127 (illustrated).
D. Cooper, Rousseau, Paris, 1951, p. 58.
Lo Duca, Henri Rousseau dit Le Douanier, Paris, 1951, p. 12 (illustrated).
Collection of Mr. and Mrs. Charles S. Payson, New York, 1960 (illustrated in color).
J. Bouret, Henri Rousseau Neuchâtel, 1961, pp. 227 and 260, no. 185 (illustrated, p. 227; dated 1907).
D. Vallier, Henri Rousseau Paris, 1961, p. 309, no. 151 (illustrated; dated 1907).
J. Bouret, Henri Rousseau London, 1962, no. 25 (illustrated).
O. Bihalji-Merin, Leben und Werk des Malers Henri Rousseau Dresden, 1971, pp. 44 and 149 (illustrated, pl. 50).
C. Keay, Henri Rousseau Le Douanier, New York, 1976, p. 35.
R. Alley, Portrait of a Primitive: The Art of Henri Rousseau New York, 1978, p. 71 (illustrated, pl. 60; dated circa 1907).
F. Elgar, Henri Rousseau Paris, 1980, no. 46 (illustrated; dated 1907).
C. Stabenow, Die Urwaldbilder des Henri Rousseau Stilbildung und Verhältnis zum Gesamtwerk, PhD. Diss., Munich, 1980, pp. 27, 101, 105, 194, 200 and 236.
Y. Le Pichon, Le monde du Douanier Rousseau, Paris, 1981 (illustrated in color).
D. Vallier, Tout l’oeuvre peint de Henri Rousseau Paris, 1982, p. 107, no. 196 (illustrated; illustrated again in color, pl. XXXVI; dated 1907).
H. Certigny, Le Douanier Rousseau en son temps, Tokyo, 1984, vol. II, p. 690, no. 318 (illustrated, p. 691) and 1991, vol. III, p. 4.
W. Schmalenbach, Henri Rousseau Dreams of the Jungle, Munich, 1998, p. 40 (illustrated in color; dated circa 1907).
Exhibited
Paris, Galerie Bernheim-Jeune et Cie., Henri Rousseau October-November 1912, no. 10 (titled La forêt vierge).
Berlin, Galerie Flechtheim, Henri Rousseau March 1926, p. 28, no. 29 (illustrated, p. 31).
New York, Marie Harriman Gallery, Henri Rousseau January 1931, no. 13 (illustrated).
New Haven, Yale University Art Gallery, Pictures Collected by Yale Alumni, May-June 1956, no. 151 (illustrated).
Paris, Galerie Charpentier, Henri Rousseau dit “Le Douanier", February-April 1961, no. 54 (illustrated; dated 1907).
Paris, Galeries nationales du Grand Palais and New York, The Museum of Modern Art, Le Douanier Rousseau, September 1984-June 1985, p. 192, no. 37 (illustrated in color, p. 193; dated circa 1907).
Kunsthalle Tübingen, Henri Rousseau Der Zöllner, Grenzgänger zur Moderne, February-June 2001, pp. 206-208, no. 42 (illustrated in color, p. 207; detail illustrated in color, p. 205; dated 1907).
London, Tate Modern and Washington, D.C., National Gallery of Art, Henri Rousseau Jungles in Paris, November 2005-October 2006, pp. 111, 117 and 223, no. 24 (illustrated in color, p. 117; detail illustrated in color, p. 110, fig. 80; dated 1907).
Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. The third party will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot above the written bid. Where it does so, and is the successful bidder, the fixed fee for taking on the guarantee risk may be netted against the final purchase price.
Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot.

Auction archive: Lot number 34
Auction:
Datum:
11 May 2023
Auction house:
Christie's
King Street, St. James's 8
London, SW1Y 6QT
United Kingdom
+44 (0)20 7839 9060
+44 (0)20 73892869
Beschreibung:

Details
HENRI 'LE DOUANIER' ROUSSEAU (1844-1910)
Les Flamants
signed 'Henri Rousseau' (lower left)
oil on canvas
44 7/8 x 63 1/4 in. (113.8 x 162 cm.)
Painted in 1910
Provenance
Wilhelm Uhde, Paris (probably acquired from the artist, 1910, until at least 1912).
Paul and Charlotte (Lotte) von Mendelssohn-Bartholdy, Berlin (by 1926).
Paul von Mendelssohn-Bartholdy, Berlin (1927).
Elsa von Kesselstatt, Vaduz (by descent from the above, 1935).
M. Knoedler & Co., Inc. and Rudolf Heinemann, New York (acquired from the above through Walter Feilchenfeldt, Zurich, 2 September 1949).
Charles S. and Joan Whitney Payson, New York (acquired from the above, October 1949).
By descent from the above to the late owner.
Literature
A. Warnod, Comoedia, 30 October 1912.
R. Grey, “Henri Rousseau” in Action: Cahiers de philosophie et d'art, vol. 2, no. 7, May 1921 (illustrated; titled La berge aux flamants).
A. Basler, Henri Rousseau Sa vie—son oeuvre, Paris, 1927, p. 11 (illustrated, pl. 41; dated 1906).
A. Salmon, Henri Rousseau dit Le Douanier, Paris, 1927, p. 140, no. 32 (illustrated).
P. Soupault, Henri Rousseau Le Douanier, Paris, 1927 (illustrated, pl. 30; dated circa 1907).
C. Zervos, Henri Rousseau Paris, 1927, p. 111 (illustrated, p. 64).
Der Querschnitt, vol. IX, no. 6, June 1929 (illustrated).
C. Burrows, “Letter from New York” in Apollo: A Journal of the Arts, vol. 13, January 1931, p. 181.
C. Einstein, Die Kunst des 20. Jahrhunderts, Berlin, 1931, p. 636 (illustrated in color, pl. IV).
R. Flint, “Henri Rousseau has his First One Man Show” in The Art News, vol. 29, no. 14, 3 January 1931, pp. 3-4.
C.J. Bulliet, The Significant Moderns and their Pictures, New York, 1936, no. 135 (illustrated).
R. Grey, Henri Rousseau Paris, 1943, no. 127 (illustrated).
D. Cooper, Rousseau, Paris, 1951, p. 58.
Lo Duca, Henri Rousseau dit Le Douanier, Paris, 1951, p. 12 (illustrated).
Collection of Mr. and Mrs. Charles S. Payson, New York, 1960 (illustrated in color).
J. Bouret, Henri Rousseau Neuchâtel, 1961, pp. 227 and 260, no. 185 (illustrated, p. 227; dated 1907).
D. Vallier, Henri Rousseau Paris, 1961, p. 309, no. 151 (illustrated; dated 1907).
J. Bouret, Henri Rousseau London, 1962, no. 25 (illustrated).
O. Bihalji-Merin, Leben und Werk des Malers Henri Rousseau Dresden, 1971, pp. 44 and 149 (illustrated, pl. 50).
C. Keay, Henri Rousseau Le Douanier, New York, 1976, p. 35.
R. Alley, Portrait of a Primitive: The Art of Henri Rousseau New York, 1978, p. 71 (illustrated, pl. 60; dated circa 1907).
F. Elgar, Henri Rousseau Paris, 1980, no. 46 (illustrated; dated 1907).
C. Stabenow, Die Urwaldbilder des Henri Rousseau Stilbildung und Verhältnis zum Gesamtwerk, PhD. Diss., Munich, 1980, pp. 27, 101, 105, 194, 200 and 236.
Y. Le Pichon, Le monde du Douanier Rousseau, Paris, 1981 (illustrated in color).
D. Vallier, Tout l’oeuvre peint de Henri Rousseau Paris, 1982, p. 107, no. 196 (illustrated; illustrated again in color, pl. XXXVI; dated 1907).
H. Certigny, Le Douanier Rousseau en son temps, Tokyo, 1984, vol. II, p. 690, no. 318 (illustrated, p. 691) and 1991, vol. III, p. 4.
W. Schmalenbach, Henri Rousseau Dreams of the Jungle, Munich, 1998, p. 40 (illustrated in color; dated circa 1907).
Exhibited
Paris, Galerie Bernheim-Jeune et Cie., Henri Rousseau October-November 1912, no. 10 (titled La forêt vierge).
Berlin, Galerie Flechtheim, Henri Rousseau March 1926, p. 28, no. 29 (illustrated, p. 31).
New York, Marie Harriman Gallery, Henri Rousseau January 1931, no. 13 (illustrated).
New Haven, Yale University Art Gallery, Pictures Collected by Yale Alumni, May-June 1956, no. 151 (illustrated).
Paris, Galerie Charpentier, Henri Rousseau dit “Le Douanier", February-April 1961, no. 54 (illustrated; dated 1907).
Paris, Galeries nationales du Grand Palais and New York, The Museum of Modern Art, Le Douanier Rousseau, September 1984-June 1985, p. 192, no. 37 (illustrated in color, p. 193; dated circa 1907).
Kunsthalle Tübingen, Henri Rousseau Der Zöllner, Grenzgänger zur Moderne, February-June 2001, pp. 206-208, no. 42 (illustrated in color, p. 207; detail illustrated in color, p. 205; dated 1907).
London, Tate Modern and Washington, D.C., National Gallery of Art, Henri Rousseau Jungles in Paris, November 2005-October 2006, pp. 111, 117 and 223, no. 24 (illustrated in color, p. 117; detail illustrated in color, p. 110, fig. 80; dated 1907).
Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. The third party will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot above the written bid. Where it does so, and is the successful bidder, the fixed fee for taking on the guarantee risk may be netted against the final purchase price.
Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot.

Auction archive: Lot number 34
Auction:
Datum:
11 May 2023
Auction house:
Christie's
King Street, St. James's 8
London, SW1Y 6QT
United Kingdom
+44 (0)20 7839 9060
+44 (0)20 73892869
Try LotSearch

Try LotSearch and its premium features for 7 days - without any costs!

  • Search lots and bid
  • Price database and artist analysis
  • Alerts for your searches
Create an alert now!

Be notified automatically about new items in upcoming auctions.

Create an alert