Jean-Michel-Basquiat Six works: i) Untitled (Standing figure with dog); ii) Untitled (Kneeling Figure); iii) Untitled (Head and Torso); iv) Untitled (Mira PaYa); v) Untitled (Reclining figure); vi) Untitled (Standing Figure) 1981 Each graphite on paper. i) 24 x 18 in. (61 x 45.7 cm); ii) 24 x 18 in. (61 x 45.7 cm); iii) 18 x 24 in. (45.7 x 61 cm); iv) 18 x 24 in. (45.7 x 61 cm); v) 18 x 24 in. (45.7 x 61 cm); vi) 18 x 24 in. (45.7 x 61 cm). ii) Signed "Jean-Michel Basquiat" lower left; v) Signed and dated "Jean-Michel Basquiat 81" lower left. Each work is accompanied by a certificate of authenticity signed and dated by the executor, Gerard Basquiat
Provenance Private Collection Catalogue Essay Drawing was an essential element in the art of Jean-Michel-Basquiat. The artist made no hierarchical distinction between drawing and painting, and in fact, his paintings and drawings are often indistinguishable, and only differ in their paper or canvas support. Basquiat drew on paper, canvas, and wood with graphite, oilstick, watercolor and acrylic. He did it with a confident and sophisticated hand, rapidly and spontaneously, and corrected or revised instantaneously and visibly. Drawing was a constant activity for the artist, and during his relatively short career he produced probably a few thousand works on paper. Although Basquiat never made drawings that were specific studies for works on canvas, the same images, words, and phrases occur in both forms of expression. A drawing would be physically attached to a canvas or an element from a drawing would be transferred to a painting. For Basquiat, the drawings nourished the paintings, and the paintings evolved into drawings in a circular and replenishing cycle. It seems that Basquiat drawings happened, as opposed to being done. The richness and variety of the artist’s drawings is phenomenal, their inherent knowledge and information is expansive, and their themes are subjects are majestic. Basquiat’s stated topics of are omnipresent in all of his graphic expressions and help extend our understanding of his valuable message. (Richard D. Marshall quoted in E. Navarro, Jean-Michel-Basquiat: Works on Paper, Paris 1999, p. 30) Read More
Jean-Michel-Basquiat Six works: i) Untitled (Standing figure with dog); ii) Untitled (Kneeling Figure); iii) Untitled (Head and Torso); iv) Untitled (Mira PaYa); v) Untitled (Reclining figure); vi) Untitled (Standing Figure) 1981 Each graphite on paper. i) 24 x 18 in. (61 x 45.7 cm); ii) 24 x 18 in. (61 x 45.7 cm); iii) 18 x 24 in. (45.7 x 61 cm); iv) 18 x 24 in. (45.7 x 61 cm); v) 18 x 24 in. (45.7 x 61 cm); vi) 18 x 24 in. (45.7 x 61 cm). ii) Signed "Jean-Michel Basquiat" lower left; v) Signed and dated "Jean-Michel Basquiat 81" lower left. Each work is accompanied by a certificate of authenticity signed and dated by the executor, Gerard Basquiat
Provenance Private Collection Catalogue Essay Drawing was an essential element in the art of Jean-Michel-Basquiat. The artist made no hierarchical distinction between drawing and painting, and in fact, his paintings and drawings are often indistinguishable, and only differ in their paper or canvas support. Basquiat drew on paper, canvas, and wood with graphite, oilstick, watercolor and acrylic. He did it with a confident and sophisticated hand, rapidly and spontaneously, and corrected or revised instantaneously and visibly. Drawing was a constant activity for the artist, and during his relatively short career he produced probably a few thousand works on paper. Although Basquiat never made drawings that were specific studies for works on canvas, the same images, words, and phrases occur in both forms of expression. A drawing would be physically attached to a canvas or an element from a drawing would be transferred to a painting. For Basquiat, the drawings nourished the paintings, and the paintings evolved into drawings in a circular and replenishing cycle. It seems that Basquiat drawings happened, as opposed to being done. The richness and variety of the artist’s drawings is phenomenal, their inherent knowledge and information is expansive, and their themes are subjects are majestic. Basquiat’s stated topics of are omnipresent in all of his graphic expressions and help extend our understanding of his valuable message. (Richard D. Marshall quoted in E. Navarro, Jean-Michel-Basquiat: Works on Paper, Paris 1999, p. 30) Read More
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
