JIN NONG (1687-1763) SEEKING INSPIRATION AMONGST PLUM BLOSSOMS Handscroll, ink and colour on paper 32.5 x 131.5 cm. (12 3/4 51 3/4 in.) Entitled, inscribed and signed, with one seal of the artist Dated tenth day, tenth month, xinsi year (1761) and dedicated to Yinluo Frontispiece by Chen Hongshou (1768-1822), with two seals Colophons by Chen Hongshou, Fan Fengxie (18th-19th Century), Lu Yushu (18th-19th Century), Shi Mo (19th Century) and Zhang Buzhan (19th Century), with a total of eleven seals Sixteen collector’s seals, including three of Shen Weiyu (19th Century), three of Jin Futing (19th Century), three of Li Yufen (19th Century), one of Zhang Buzhan (19th Century) and four of Yang Shoushu (1863-1944) Titleslip by Tan Zekai (1889-1948), with one seal Titleslip and ‘Collection of A Hundred Plum Blossoms Studio’ label on the wooden box Provenance PROPERTY OF A PRIVATE COLLECTOR
JIN NONG (1687-1763) SEEKING INSPIRATION AMONGST PLUM BLOSSOMS Handscroll, ink and colour on paper 32.5 x 131.5 cm. (12 3/4 51 3/4 in.) Entitled, inscribed and signed, with one seal of the artist Dated tenth day, tenth month, xinsi year (1761) and dedicated to Yinluo Frontispiece by Chen Hongshou (1768-1822), with two seals Colophons by Chen Hongshou, Fan Fengxie (18th-19th Century), Lu Yushu (18th-19th Century), Shi Mo (19th Century) and Zhang Buzhan (19th Century), with a total of eleven seals Sixteen collector’s seals, including three of Shen Weiyu (19th Century), three of Jin Futing (19th Century), three of Li Yufen (19th Century), one of Zhang Buzhan (19th Century) and four of Yang Shoushu (1863-1944) Titleslip by Tan Zekai (1889-1948), with one seal Titleslip and ‘Collection of A Hundred Plum Blossoms Studio’ label on the wooden box Provenance PROPERTY OF A PRIVATE COLLECTOR
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