Keisai Eisen (1790-1848) Utagawa Hiroshige II (1829-1869)
Keisai Eisen (1790-1848) Utagawa Hiroshige II (1829-1869)
Keisai Eisen (1790-1848) Utagawa Hiroshige II (1829-1869) Woodcuts; two prints, comprising: Yabuhara toriitoge suzuri no shimizu (The Inkslab Spring at Torii Pass near Yabuhara), from the series Kisokaido rokujukyu tsugi no uchi (The sixty-nine stations of the Kisokaido), unsigned [Eisen], published by Takenouchi Magohachi (Hoeido); another from the series Toto sanjurokkei (Thirty-six views of the eastern capital), Nakasu Mitsumata (Sandbar at Mitsumata), signed Hiroshige ga and published by Tsutaya Umejiro--the first good impression and color, margins trimmed, vertical centerfold and stains; second worn and stained oban yoko-e (first): 8½ x 13¼in. (21.7 x 34.4cm.); oban tate-e : 13¾ x 8 7/8in. (35.1 x 22.7cm.). (2)
Keisai Eisen (1790-1848) Utagawa Hiroshige II (1829-1869)
Keisai Eisen (1790-1848) Utagawa Hiroshige II (1829-1869)
Keisai Eisen (1790-1848) Utagawa Hiroshige II (1829-1869) Woodcuts; two prints, comprising: Yabuhara toriitoge suzuri no shimizu (The Inkslab Spring at Torii Pass near Yabuhara), from the series Kisokaido rokujukyu tsugi no uchi (The sixty-nine stations of the Kisokaido), unsigned [Eisen], published by Takenouchi Magohachi (Hoeido); another from the series Toto sanjurokkei (Thirty-six views of the eastern capital), Nakasu Mitsumata (Sandbar at Mitsumata), signed Hiroshige ga and published by Tsutaya Umejiro--the first good impression and color, margins trimmed, vertical centerfold and stains; second worn and stained oban yoko-e (first): 8½ x 13¼in. (21.7 x 34.4cm.); oban tate-e : 13¾ x 8 7/8in. (35.1 x 22.7cm.). (2)
.jpg "Source: Christie's")
.jpg "Source: Christie's")
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
