LAWRENCE, Thomas Edward (1888-1935) and Richard KENNEDY (1910-1989, artist). Letters to E.T. Leeds with a commentary by E.T. Leeds ... with a memoir of E.T. Leeds by D.B. Harden , edited by J.M. Wilson. Andoversford, Gloucestershire: The Whittington Press, 1988. 2° (282 x 201mm). Title printed in brown and black. Mounted half-tone frontispiece, illustrations after Kennedy and Lawrence, 9 full-page, those after Kennedy printed in red, and 6 plates of half-tone illustrations after Lawrence and others. Loosely-inserted errata slip. Original black nigerian goatskin, upper cover inlaid with a design after Kennedy in red and khaki morocco, suede pastedowns, top edge gilt, others uncut. Suite of 10 proofs of the illustrations after Kennedy printed in black and signed in pencil by Kennedy loose in portfolio as issued (c. 282 x 200mm). Suite of 12 mounted glossy photographic prints (c. 176 x 238mm) after Lawrence and others, original japanese-style stab-bound wrappers with letterpress title-label on upper cover. All bound by The Fine Bindery and contained within a cloth box with gilt morocco lettering-piece on spine. FIRST EDITION. LIMITED TO 750 COPIES, THIS NUMBER IV OF 20 IN A DESIGNER BINDING, WITH SIGNED PROOFS AND ADDITIONAL PHOTOGRAPHS. A 'major collection of letters by Lawrence ... [which] are especially revealing of the Carchemish period' (O'Brien), comprising fifty-three letters from Lawrence to Leeds (the Assistant to the Keeper of the Ashmolean Museum in Oxford), dating from 1909 to 1935, and relating principally to archaeological matters: 'This new information is interesting enough in itself -- but it is also extremely important in other ways. First, because it sheds new light on the early relationship between Lawrence and D.G. Hogarth, and, second, because it makes nonsense of the reasons suggested by some biographers for Lawrence's appointment to the British Museum's Carchemish excavations. The evidence is therefore immensely important' (J.M. Wilson, quoted in the prospectus). This copy is one of a small number in a designer binding which include proofs of the illustrations and 12 additional photographs taken by Lawrence (or under his direction) at Carchemish in 1911-1914. Also included in the lot are 2 prospectuses for the work; an invitation to a reception to celebrate the book's publication; an autograph letter signed from John Randle (the publisher) to Lionel Dakers enclosing the work, The Whittington Press, Manor Farm, Andoversford, Gloucestershire, 10 July [1988], 1 page, 2°. D. Butcher The Whittington Press. A Bibliography 1982-1993 (Leominster: 1996), 94; O'Brien A263. (2)
LAWRENCE, Thomas Edward (1888-1935) and Richard KENNEDY (1910-1989, artist). Letters to E.T. Leeds with a commentary by E.T. Leeds ... with a memoir of E.T. Leeds by D.B. Harden , edited by J.M. Wilson. Andoversford, Gloucestershire: The Whittington Press, 1988. 2° (282 x 201mm). Title printed in brown and black. Mounted half-tone frontispiece, illustrations after Kennedy and Lawrence, 9 full-page, those after Kennedy printed in red, and 6 plates of half-tone illustrations after Lawrence and others. Loosely-inserted errata slip. Original black nigerian goatskin, upper cover inlaid with a design after Kennedy in red and khaki morocco, suede pastedowns, top edge gilt, others uncut. Suite of 10 proofs of the illustrations after Kennedy printed in black and signed in pencil by Kennedy loose in portfolio as issued (c. 282 x 200mm). Suite of 12 mounted glossy photographic prints (c. 176 x 238mm) after Lawrence and others, original japanese-style stab-bound wrappers with letterpress title-label on upper cover. All bound by The Fine Bindery and contained within a cloth box with gilt morocco lettering-piece on spine. FIRST EDITION. LIMITED TO 750 COPIES, THIS NUMBER IV OF 20 IN A DESIGNER BINDING, WITH SIGNED PROOFS AND ADDITIONAL PHOTOGRAPHS. A 'major collection of letters by Lawrence ... [which] are especially revealing of the Carchemish period' (O'Brien), comprising fifty-three letters from Lawrence to Leeds (the Assistant to the Keeper of the Ashmolean Museum in Oxford), dating from 1909 to 1935, and relating principally to archaeological matters: 'This new information is interesting enough in itself -- but it is also extremely important in other ways. First, because it sheds new light on the early relationship between Lawrence and D.G. Hogarth, and, second, because it makes nonsense of the reasons suggested by some biographers for Lawrence's appointment to the British Museum's Carchemish excavations. The evidence is therefore immensely important' (J.M. Wilson, quoted in the prospectus). This copy is one of a small number in a designer binding which include proofs of the illustrations and 12 additional photographs taken by Lawrence (or under his direction) at Carchemish in 1911-1914. Also included in the lot are 2 prospectuses for the work; an invitation to a reception to celebrate the book's publication; an autograph letter signed from John Randle (the publisher) to Lionel Dakers enclosing the work, The Whittington Press, Manor Farm, Andoversford, Gloucestershire, 10 July [1988], 1 page, 2°. D. Butcher The Whittington Press. A Bibliography 1982-1993 (Leominster: 1996), 94; O'Brien A263. (2)
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
