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Auction archive: Lot number 183

Line Vautrin

Design & Design Art
14 Dec 2006
Estimate
US$100,000 - US$150,000
Price realised:
US$120,000
Auction archive: Lot number 183

Line Vautrin

Design & Design Art
14 Dec 2006
Estimate
US$100,000 - US$150,000
Price realised:
US$120,000
Beschreibung:

Line Vautrin Unique and important dining table 1962 Talosel resin, brass, pewter, oak. 29 1/2 in. (75 cm) high, 55 1/2 in. (141 cm) diameter Commissioned by Mr. Bernard Giraudi. With a certificate of authenticity by Marie-Laure Vautrin.
Provenance Mr. Bernard Giraudi, Paris, France; thence by descent Catalogue Essay The present lot demonstrates Line Vautrin's dedication to Talosel, marrying it with oak and brass into an impressive unique and important dining table. It also illustrates her popularity among the Parisian social scene. Mr. Bernard Giraudi, a well-known French publicist, commissioned Vautrin to do this spectacular table. This table is believed to have been housed in his secondary residence in the southeast of France. Read More Artist Bio Line Vautrin French • 1913 - 1997 After brief stints with the couturier Elsa Schiaparelli and a Parisian photography firm, Line Vautrin taught herself metal foundry, which had been her father's trade, and went door-to-door selling her cast jewelry. In 1937 she rented a stand at the Paris International Exposition that attracted enough clientele for her to open a shop in the Rue de Berri. As business improved, she moved to the more fashionable Rue du Faubourg Saint-Honoré. Vautrin started out making jewelry, belts, powder compacts and buttons: At the time, the term for her line of work was parurière (one who makes and sells fashion accessories). Eventually, however, she hit on her signature style, developing a material she coined talosel, which comprised layers of cellulose acetate that she carved, gouged, molded and encrusted with colored mirrored glass. This new material enabled her to expand her repertoire to include larger objects such as the mirrors for which she is best known today. The objects that she created in talosel are unlike any others — original, exuberant modern designs that, with the accretions and texture of the scarified talosel, carry the aura of ancient, time-worn relics. Vautrin credited the London art dealer David Gill with re-discovering her work at a 1986 auction of her property in Paris. Her work entered the collection of London's Victoria and Albert Museum, and since then has gained major traction in the twentieth-century design market. View More Works

Auction archive: Lot number 183
Auction:
Datum:
14 Dec 2006
Auction house:
Phillips
14 Dec 2006, 2pm New York
Beschreibung:

Line Vautrin Unique and important dining table 1962 Talosel resin, brass, pewter, oak. 29 1/2 in. (75 cm) high, 55 1/2 in. (141 cm) diameter Commissioned by Mr. Bernard Giraudi. With a certificate of authenticity by Marie-Laure Vautrin.
Provenance Mr. Bernard Giraudi, Paris, France; thence by descent Catalogue Essay The present lot demonstrates Line Vautrin's dedication to Talosel, marrying it with oak and brass into an impressive unique and important dining table. It also illustrates her popularity among the Parisian social scene. Mr. Bernard Giraudi, a well-known French publicist, commissioned Vautrin to do this spectacular table. This table is believed to have been housed in his secondary residence in the southeast of France. Read More Artist Bio Line Vautrin French • 1913 - 1997 After brief stints with the couturier Elsa Schiaparelli and a Parisian photography firm, Line Vautrin taught herself metal foundry, which had been her father's trade, and went door-to-door selling her cast jewelry. In 1937 she rented a stand at the Paris International Exposition that attracted enough clientele for her to open a shop in the Rue de Berri. As business improved, she moved to the more fashionable Rue du Faubourg Saint-Honoré. Vautrin started out making jewelry, belts, powder compacts and buttons: At the time, the term for her line of work was parurière (one who makes and sells fashion accessories). Eventually, however, she hit on her signature style, developing a material she coined talosel, which comprised layers of cellulose acetate that she carved, gouged, molded and encrusted with colored mirrored glass. This new material enabled her to expand her repertoire to include larger objects such as the mirrors for which she is best known today. The objects that she created in talosel are unlike any others — original, exuberant modern designs that, with the accretions and texture of the scarified talosel, carry the aura of ancient, time-worn relics. Vautrin credited the London art dealer David Gill with re-discovering her work at a 1986 auction of her property in Paris. Her work entered the collection of London's Victoria and Albert Museum, and since then has gained major traction in the twentieth-century design market. View More Works

Auction archive: Lot number 183
Auction:
Datum:
14 Dec 2006
Auction house:
Phillips
14 Dec 2006, 2pm New York
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