Lucas Vorsterman The Return From Egypt, after Peter Paul Rubens engraving, a good early impression, trimmed just outside the platemark, the usual central horizontal fold, a made-up area just inside the top right corner, pale surface dirt, some staining verso just showing through, S. 420 x 314mm.; with eleven others by and after the same hands, Lot and His Daughters (H. 1 ii/ii) (x 2), Job Tormented by Demons and Abused by His Wife (H. 3 ii/iii), The Adoration of the Shepherds (H. 6), The Adoration of the Shepherds (H. 7 ii/ii), The Adoration of the Magi (H. 8), a duplicate of The Return from Egypt (H. 11), The Holy Women at the Grave (H. 35), Man of Sorrows (H. 36), The Holy Family with St. Elisabeth and the Infant John the Baptist (H. 43 iii/iv) and St. Lawrence at the Stake (H. 88 ii/ii) (12)
Lucas Vorsterman The Return From Egypt, after Peter Paul Rubens engraving, a good early impression, trimmed just outside the platemark, the usual central horizontal fold, a made-up area just inside the top right corner, pale surface dirt, some staining verso just showing through, S. 420 x 314mm.; with eleven others by and after the same hands, Lot and His Daughters (H. 1 ii/ii) (x 2), Job Tormented by Demons and Abused by His Wife (H. 3 ii/iii), The Adoration of the Shepherds (H. 6), The Adoration of the Shepherds (H. 7 ii/ii), The Adoration of the Magi (H. 8), a duplicate of The Return from Egypt (H. 11), The Holy Women at the Grave (H. 35), Man of Sorrows (H. 36), The Holy Family with St. Elisabeth and the Infant John the Baptist (H. 43 iii/iv) and St. Lawrence at the Stake (H. 88 ii/ii) (12)
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