Max Dupain (1911-1992) Impassioned Clay, 1936 signed and dated lower left: 'Max Dupain '36' titled on label verso: 'Impassioned Clay' silver gelatin photograph, printed later 46.0 x 32.5cm (18 1/8 x 12 13/16in). Fußnoten PROVENANCE Private collection, Sydney Deutscher and Hackett, Sydney, 2 May 2012, lot 100 Private collection, Queensland EXHIBITED Max Dupain Retrospective 1930-1980, Art Gallery of New South Wales, Sydney, 29 August – 28 September 1980 (another example) Four Photographers, Art Gallery of New South Wales, Sydney, 2 June – 19 August 1990 (another example) LITERATURE Gael Newton, Max Dupain Retrospective 1930-1980, Art Gallery of New South Wales, Sydney, 1980, cat. 21 (illus., another example) Sandra Jane, Art is ... making, creating and appreciating 2, Milton, 1999, p. 224 (illus., another example) Valerie Hill, 'The wheel of life 1930s-1990s', in The Cazneaux Women, Craftsman House, Sydney, 2000, p. 116 (another example) Sandra Jane, 'A close-up look at significant photographers', in Photography Production and Appreciation, Jacaranda Press, Queensland, 1996, p. 205, fig. 12.4c (another example) RELATED WORK Other examples of this print are held in the collections of the Art Gallery of New South Wales, Sydney and the National Gallery of Australia, Canberra
Max Dupain (1911-1992) Impassioned Clay, 1936 signed and dated lower left: 'Max Dupain '36' titled on label verso: 'Impassioned Clay' silver gelatin photograph, printed later 46.0 x 32.5cm (18 1/8 x 12 13/16in). Fußnoten PROVENANCE Private collection, Sydney Deutscher and Hackett, Sydney, 2 May 2012, lot 100 Private collection, Queensland EXHIBITED Max Dupain Retrospective 1930-1980, Art Gallery of New South Wales, Sydney, 29 August – 28 September 1980 (another example) Four Photographers, Art Gallery of New South Wales, Sydney, 2 June – 19 August 1990 (another example) LITERATURE Gael Newton, Max Dupain Retrospective 1930-1980, Art Gallery of New South Wales, Sydney, 1980, cat. 21 (illus., another example) Sandra Jane, Art is ... making, creating and appreciating 2, Milton, 1999, p. 224 (illus., another example) Valerie Hill, 'The wheel of life 1930s-1990s', in The Cazneaux Women, Craftsman House, Sydney, 2000, p. 116 (another example) Sandra Jane, 'A close-up look at significant photographers', in Photography Production and Appreciation, Jacaranda Press, Queensland, 1996, p. 205, fig. 12.4c (another example) RELATED WORK Other examples of this print are held in the collections of the Art Gallery of New South Wales, Sydney and the National Gallery of Australia, Canberra
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
