Including Seiya (Ame no Kyo) (Silence of the night [Rain in Kyoto]), no. 29/60, 1958; Satei IV (Sand Garden IV), no. 2/60, 1958 (46.7 x 59.6cm); Ishibashi (Seiren-in) (Stone Bridge [Seiren-in]), no. 23/60, 1960; Koke no niwa (Moss Garden), no. 14/60, 1960 (57.7 x 45.7cm); Sekitei No. 12 (Stone Garden No. 12), no. 3/50, 1960 (47 x 59 cm); Sei A (Nagasaki) (Quiet A [Nagasaki]), no. 2/60, 1961 (62.6 x 52.4cm); Sei B (Nagasaki) (Quiet B [Nagasaki], no. 2/60, 1961 (63 x 52.4cm); and Shinshu Early Autumn, no. 80/53, 1967 (54.8 x 63.8cm); some slightly creased, some with tape stains at edges, Seiya (Ame no Kyoto) and Ishibashi (Seiren-in) framed and glazed (note: not examined outside of frames).
Including Seiya (Ame no Kyo) (Silence of the night [Rain in Kyoto]), no. 29/60, 1958; Satei IV (Sand Garden IV), no. 2/60, 1958 (46.7 x 59.6cm); Ishibashi (Seiren-in) (Stone Bridge [Seiren-in]), no. 23/60, 1960; Koke no niwa (Moss Garden), no. 14/60, 1960 (57.7 x 45.7cm); Sekitei No. 12 (Stone Garden No. 12), no. 3/50, 1960 (47 x 59 cm); Sei A (Nagasaki) (Quiet A [Nagasaki]), no. 2/60, 1961 (62.6 x 52.4cm); Sei B (Nagasaki) (Quiet B [Nagasaki], no. 2/60, 1961 (63 x 52.4cm); and Shinshu Early Autumn, no. 80/53, 1967 (54.8 x 63.8cm); some slightly creased, some with tape stains at edges, Seiya (Ame no Kyoto) and Ishibashi (Seiren-in) framed and glazed (note: not examined outside of frames).
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