Showa era (1926-1989), circa 1935-1953 Two vertical and one horizontal woodblock print, comprising Le Genie Sans Nom, Corée (The Unnamed Genius, Korea), circa 1953, printed by Onodera Yoshizo, signed in pencil Paul Jacoulet , peony seal, with edition number 4/350 on verso, M.Keen et M.Lee, Seoul, Corée (Messrs. Kim and Lee, Seoul, Korea), circa 1951, printed by Onodera Yoshizo, signed in pencil Paul Jacoulet , ivy seal, with edition number 27/350 on verso, and Trois Coréens, Seoul, Corée (Three Koreans, Seoul, Korea), circa 1935, printed by Fujii Shunosuke, signed in pencil Paul Jacoulet , mandarin-duck seal, with edition number 27/150 on verso (3) 18 3/4 x 14 1/16in (47.5 x 35.8cm) each approximately 35.3 x 47cm (13 7/8 x 18 1/2in)
Showa era (1926-1989), circa 1935-1953 Two vertical and one horizontal woodblock print, comprising Le Genie Sans Nom, Corée (The Unnamed Genius, Korea), circa 1953, printed by Onodera Yoshizo, signed in pencil Paul Jacoulet , peony seal, with edition number 4/350 on verso, M.Keen et M.Lee, Seoul, Corée (Messrs. Kim and Lee, Seoul, Korea), circa 1951, printed by Onodera Yoshizo, signed in pencil Paul Jacoulet , ivy seal, with edition number 27/350 on verso, and Trois Coréens, Seoul, Corée (Three Koreans, Seoul, Korea), circa 1935, printed by Fujii Shunosuke, signed in pencil Paul Jacoulet , mandarin-duck seal, with edition number 27/150 on verso (3) 18 3/4 x 14 1/16in (47.5 x 35.8cm) each approximately 35.3 x 47cm (13 7/8 x 18 1/2in)
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