Paul Klee (1879-1940) Mola signed 'Klee' (upper right), dated, numbered and inscribed '1924 226 Mola' (on the artist's mount) gouache and watercolour on paper laid down on the artist's mount; gouache and pen and India ink on the artist's mount image: 4 ¼ x 12 ¾ x in. (10.7 x 32.5 cm.) artist's mount: 7 ½ x 15 ¾ in. (18.9 x 39.8 cm.) Executed in 1924 Provenance with Alfred Flechtheim, Dusseldorf, from July 1930. with Alex Vömel, Dusseldorf, until at least 1933. with Daniel-Henry Kahnweiler, Paris, until 1937. with Curt Valentin [Buchholz Gallery], New York, 1937-1938. Karl Nierendorf, New York, from 1938. Cornelia Mackin, Blue Hill, Maine, and thence by descent. with Roland Browse & Delbanco, by 1972. Anonymous sale, Sotheby's, New York, 16 May 1984, lot 139. Private collection, Europe, and thence by descent to the present owner.
Paul Klee (1879-1940) Mola signed 'Klee' (upper right), dated, numbered and inscribed '1924 226 Mola' (on the artist's mount) gouache and watercolour on paper laid down on the artist's mount; gouache and pen and India ink on the artist's mount image: 4 ¼ x 12 ¾ x in. (10.7 x 32.5 cm.) artist's mount: 7 ½ x 15 ¾ in. (18.9 x 39.8 cm.) Executed in 1924 Provenance with Alfred Flechtheim, Dusseldorf, from July 1930. with Alex Vömel, Dusseldorf, until at least 1933. with Daniel-Henry Kahnweiler, Paris, until 1937. with Curt Valentin [Buchholz Gallery], New York, 1937-1938. Karl Nierendorf, New York, from 1938. Cornelia Mackin, Blue Hill, Maine, and thence by descent. with Roland Browse & Delbanco, by 1972. Anonymous sale, Sotheby's, New York, 16 May 1984, lot 139. Private collection, Europe, and thence by descent to the present owner.
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