Paul Klee Max Beckmann Erich Heckel Lovis Corinth and others DIE KUNST DER GEGENWART, VERLAG DER MAREES-GESELLSHAFT, R. PIPER & CO., MUNICH, 1923 The album comprising a lithograph printed in colours, two woodcuts, three etchings, circa 1923, each signed in pencil, the Klee also dated and with the work number 138, with 38 of the 42 reproductions after watercolours and drawings by P. Bonnard, G. Braque, A. Derain, F. Hodler, F. Marc, P. Picasso, O. Redon, E. Vuillard and others, from the edition of 500, with the introduction by Meier-Graefe, published by the Marées Gesellschaft, R. Piper & Co., Munich, on wove and laid papers with the blindstamp of the Marées-Geselleschaft, with full margins, the colours fresh, in good condition apart from pale paper discoloration, each hinged at two corners verso, in original mounts contained in original cloth and paper board portfolio (rubbed, staining, other minor defects)
Paul Klee Max Beckmann Erich Heckel Lovis Corinth and others DIE KUNST DER GEGENWART, VERLAG DER MAREES-GESELLSHAFT, R. PIPER & CO., MUNICH, 1923 The album comprising a lithograph printed in colours, two woodcuts, three etchings, circa 1923, each signed in pencil, the Klee also dated and with the work number 138, with 38 of the 42 reproductions after watercolours and drawings by P. Bonnard, G. Braque, A. Derain, F. Hodler, F. Marc, P. Picasso, O. Redon, E. Vuillard and others, from the edition of 500, with the introduction by Meier-Graefe, published by the Marées Gesellschaft, R. Piper & Co., Munich, on wove and laid papers with the blindstamp of the Marées-Geselleschaft, with full margins, the colours fresh, in good condition apart from pale paper discoloration, each hinged at two corners verso, in original mounts contained in original cloth and paper board portfolio (rubbed, staining, other minor defects)
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