(Aelst 1502–1550 Brussels) The Penitent Saint Jerome in a landscape, oil on panel, 77.5 x 56 cm, framed We are grateful to Peter van den Brink for endorsing the attribution of the present painting to Pieter Coecke van Aelst in full after examining it in the original. He dates the painting to the second half of the 1530s. The underdrawing is typical for Coecke van Aelst and comparable with the underdrawing he used for the wing of the St. Truiden Altar (see D. H. van Wegen, P. van den Brink, Uitgelicht 5: Pieter Coecke van Aelst De Intocht in Jeruzalem. Retabelfragmenten in Diaspora, ‘tijdelijk weer bijen’, Bonnefanten Museum, Maastricht 2000).
(Aelst 1502–1550 Brussels) The Penitent Saint Jerome in a landscape, oil on panel, 77.5 x 56 cm, framed We are grateful to Peter van den Brink for endorsing the attribution of the present painting to Pieter Coecke van Aelst in full after examining it in the original. He dates the painting to the second half of the 1530s. The underdrawing is typical for Coecke van Aelst and comparable with the underdrawing he used for the wing of the St. Truiden Altar (see D. H. van Wegen, P. van den Brink, Uitgelicht 5: Pieter Coecke van Aelst De Intocht in Jeruzalem. Retabelfragmenten in Diaspora, ‘tijdelijk weer bijen’, Bonnefanten Museum, Maastricht 2000).
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
