Property from a Private American Collection Walton Ford Follow Swadeshi-cide, 1998; La Historia Me Absolvera, 1999; Benjamin's Emblem, 2000; Tale of Johnny Nutkin, 2001; Compromised, 2003; and Visitation, 2004 The complete series of six etchings in colors, on Somerset Satin paper, with full margins. all I. 35 3/4 x 23 7/8 in. (90.8 x 60.6 cm) all S. 44 x 30 1/2 in. (111.8 x 77.5 cm) All signed, dated and numbered 'A.P. 12' in pencil (one of 12 artist's proofs, the edition was 50), published by Blue Heron Press, New York, all framed.
Literature Benedikt Taschen pp 100, 101, 131, 152, 153 and 227-8 Catalogue Essay In my case, I wanted to take the language of the nineteenth-century natural-history illustrators and use it in a way they would never have imagined—to plumb our own collective ways of thinking about the natural world and these beings we share the planet with. Walton Ford "Man and Beast", New Yorker , January 26, 2009 Read More
Property from a Private American Collection Walton Ford Follow Swadeshi-cide, 1998; La Historia Me Absolvera, 1999; Benjamin's Emblem, 2000; Tale of Johnny Nutkin, 2001; Compromised, 2003; and Visitation, 2004 The complete series of six etchings in colors, on Somerset Satin paper, with full margins. all I. 35 3/4 x 23 7/8 in. (90.8 x 60.6 cm) all S. 44 x 30 1/2 in. (111.8 x 77.5 cm) All signed, dated and numbered 'A.P. 12' in pencil (one of 12 artist's proofs, the edition was 50), published by Blue Heron Press, New York, all framed.
Literature Benedikt Taschen pp 100, 101, 131, 152, 153 and 227-8 Catalogue Essay In my case, I wanted to take the language of the nineteenth-century natural-history illustrators and use it in a way they would never have imagined—to plumb our own collective ways of thinking about the natural world and these beings we share the planet with. Walton Ford "Man and Beast", New Yorker , January 26, 2009 Read More
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