Three miniatures on cuttings from illuminated choirbook manuscripts on vellum 3 miniatures on cuttings, (a) a large initial 'C', 166mm. by 157mm., in brightly coloured acanthus leaves, enclosing the Nativity in the foreground with Joseph and the Virgin kneeling in the stable next to a donkey and a cow, all before the Child who lies in a basket, in the background a shepherd with his sheep as the angel descends towards him, all on burnished gold ground with brick-work effect picked out in brown paint (now smudged in places), laid down on card, but with remnants of 6 lines of text on verso, probablyVerona, first half of the sixteenth century; (b) an initial 'C', 95mm. by 83mm., in white and blue terminating in acanthus leaves (perhaps opening the hymn 'Crudelis herodes ...' from second vespers at epiphany), enclosing the Adoration of the Magi, with the three kings in elaborate robes before the Virgin and Child (both of whom have burnished gold haloes) as one king kisses the foot of the Child and another points to the heavens, presumably at the star, all on blue ground with orange frame, remnants of 3 lines on verso with music on a 4-line red stave, excellent condition, Florence, c.1370; (c) an initial 'D', 70mm. by 73mm., in coloured bands terminating at the top and bottom in medieval jewels, enclosing a kneeling figure of David, hands clasped together in prayer, all before a wide open grassy landscape with deer, birds and a medieval walled town, all on burnished gold ground, now trimmed and placed within the border of another leaf (probably from the same manuscript supplying a border of interlocking coloured foliage, bezants, two birds and two naked human figures, one of whom picks fruit from the foliage, the other playing the bagpipes, some very minor rubbing and flaking to parts of scene, and greater scuffing to lower edge of cutting, otherwise good, Florence, late fifteenth century; all framed separately
Three miniatures on cuttings from illuminated choirbook manuscripts on vellum 3 miniatures on cuttings, (a) a large initial 'C', 166mm. by 157mm., in brightly coloured acanthus leaves, enclosing the Nativity in the foreground with Joseph and the Virgin kneeling in the stable next to a donkey and a cow, all before the Child who lies in a basket, in the background a shepherd with his sheep as the angel descends towards him, all on burnished gold ground with brick-work effect picked out in brown paint (now smudged in places), laid down on card, but with remnants of 6 lines of text on verso, probablyVerona, first half of the sixteenth century; (b) an initial 'C', 95mm. by 83mm., in white and blue terminating in acanthus leaves (perhaps opening the hymn 'Crudelis herodes ...' from second vespers at epiphany), enclosing the Adoration of the Magi, with the three kings in elaborate robes before the Virgin and Child (both of whom have burnished gold haloes) as one king kisses the foot of the Child and another points to the heavens, presumably at the star, all on blue ground with orange frame, remnants of 3 lines on verso with music on a 4-line red stave, excellent condition, Florence, c.1370; (c) an initial 'D', 70mm. by 73mm., in coloured bands terminating at the top and bottom in medieval jewels, enclosing a kneeling figure of David, hands clasped together in prayer, all before a wide open grassy landscape with deer, birds and a medieval walled town, all on burnished gold ground, now trimmed and placed within the border of another leaf (probably from the same manuscript supplying a border of interlocking coloured foliage, bezants, two birds and two naked human figures, one of whom picks fruit from the foliage, the other playing the bagpipes, some very minor rubbing and flaking to parts of scene, and greater scuffing to lower edge of cutting, otherwise good, Florence, late fifteenth century; all framed separately
Try LotSearch and its premium features for 7 days - without any costs!
Be notified automatically about new items in upcoming auctions.
Create an alert