Tom Hiscocks, Drinking Horse, 2019 Layered acrylic on mirror polished steel, on an iroko base -edition of 12 33.5cm high overall, the base 18 x 18cm Similar works by this artist retail for: £650 Tom Hiscocks: Tom graduated from the Cambridge Art School in June 2013 with a first class honours degree (Fine Art BA). He won the Dr Supanee Gazeley Fine Art Prize in 2013 for his degree show exhibition. Tom s work has since been exhibited in solo and shared exhibitions across the UK and Europe. His work already appears in private and public collections across the UK, Europe and America. Tom's personal interest relates to the layers of life and experience that makes each of us who we are. We typically show the outside layer of our being which, although it may bear some of the physical signs of things we have experienced, will not reveal how we felt about the ways in which we have experienced being . The same thing can be experienced by different people in different ways. So it is the suggestion of what happens inside that interests him. I approach my work exploring the ways in which I can reflect these ideas. I have come to making most of my work in layers. I want my work to change as the angle of view changes, and as the context that they are placed in changes.
Tom Hiscocks, Drinking Horse, 2019 Layered acrylic on mirror polished steel, on an iroko base -edition of 12 33.5cm high overall, the base 18 x 18cm Similar works by this artist retail for: £650 Tom Hiscocks: Tom graduated from the Cambridge Art School in June 2013 with a first class honours degree (Fine Art BA). He won the Dr Supanee Gazeley Fine Art Prize in 2013 for his degree show exhibition. Tom s work has since been exhibited in solo and shared exhibitions across the UK and Europe. His work already appears in private and public collections across the UK, Europe and America. Tom's personal interest relates to the layers of life and experience that makes each of us who we are. We typically show the outside layer of our being which, although it may bear some of the physical signs of things we have experienced, will not reveal how we felt about the ways in which we have experienced being . The same thing can be experienced by different people in different ways. So it is the suggestion of what happens inside that interests him. I approach my work exploring the ways in which I can reflect these ideas. I have come to making most of my work in layers. I want my work to change as the angle of view changes, and as the context that they are placed in changes.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
