Topography and Maritime views. Eight prints, 19th century, eight large engravings and lithographs of British and foreign views, including Needham (J., lithographer). The City of Kertch, published Paul & Dominic Colnaghi & Co., 1856, tinted lithograph, some water staining, 510 x 670 mm, together with Wallis (Robert). The Approach to Venice, circa 1850, large uncoloured engraving on India wove after J. M. W. Turner, some spotting and dust soiling, occasional marginal closed tears, 530 x 680 mm, with Willmore (Arthur). Tilbury Fort- Wind against Tide, circa 1875, The Loss of the Revenge, 1878 & Dutch Trawlers landing Fish at Egmont, 1872, all published by The Art Union, together three uncoloured engravings after C. Stanfield, E. W. Cooke and Oswald Brierly respectively, some staining and dust soiling, each approximately 540 x 860 mm, with others similar (Qty: 8)
Topography and Maritime views. Eight prints, 19th century, eight large engravings and lithographs of British and foreign views, including Needham (J., lithographer). The City of Kertch, published Paul & Dominic Colnaghi & Co., 1856, tinted lithograph, some water staining, 510 x 670 mm, together with Wallis (Robert). The Approach to Venice, circa 1850, large uncoloured engraving on India wove after J. M. W. Turner, some spotting and dust soiling, occasional marginal closed tears, 530 x 680 mm, with Willmore (Arthur). Tilbury Fort- Wind against Tide, circa 1875, The Loss of the Revenge, 1878 & Dutch Trawlers landing Fish at Egmont, 1872, all published by The Art Union, together three uncoloured engravings after C. Stanfield, E. W. Cooke and Oswald Brierly respectively, some staining and dust soiling, each approximately 540 x 860 mm, with others similar (Qty: 8)
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
