translated by F.L.Lucas, one of 500 copies, copper-engraved frontispiece, pictorial title and full-page illustrations by John Buckland Wright original pictorial two-tone cloth, spine faded, Golden Cockerel Press, 1949 § Jonson (Ben) A Croppe of Kisses, one of 250 copies, title in red, green and yellow, original morocco-backed pictorial cloth, gilt, Golden Cockerel Press, 1937 § Constable (Henry) The Poems & Sonnets, edited by John Gray, one of 210 copies, wood-engraved hop border and initials by Charles Ricketts, original patterned-paper boards, rubbed and spotted, Vale Press, 1897 § Daudet (Alphonse) Tartarin of Tarascon, 2 vol., limited edition signed by the artist, designed and illustrated by W.A.Dwiggins, book-plate of Ruari McLean, original cloth-backed patterned-paper boards, slip-case, rubbed, New York, Limited Editions Club, 1930 § Haberly (Loyd) The Sacrifice of Spring: a Masque of Queens, number 58 of 124 copies signed by the author, wood-engraved title-vignette, original vellum, uncut and unopened, boards slightly warped, Long Crendon, Seven Acres Press, 1927, all uncut; and 7 others, similar, v.s. (13)
translated by F.L.Lucas, one of 500 copies, copper-engraved frontispiece, pictorial title and full-page illustrations by John Buckland Wright original pictorial two-tone cloth, spine faded, Golden Cockerel Press, 1949 § Jonson (Ben) A Croppe of Kisses, one of 250 copies, title in red, green and yellow, original morocco-backed pictorial cloth, gilt, Golden Cockerel Press, 1937 § Constable (Henry) The Poems & Sonnets, edited by John Gray, one of 210 copies, wood-engraved hop border and initials by Charles Ricketts, original patterned-paper boards, rubbed and spotted, Vale Press, 1897 § Daudet (Alphonse) Tartarin of Tarascon, 2 vol., limited edition signed by the artist, designed and illustrated by W.A.Dwiggins, book-plate of Ruari McLean, original cloth-backed patterned-paper boards, slip-case, rubbed, New York, Limited Editions Club, 1930 § Haberly (Loyd) The Sacrifice of Spring: a Masque of Queens, number 58 of 124 copies signed by the author, wood-engraved title-vignette, original vellum, uncut and unopened, boards slightly warped, Long Crendon, Seven Acres Press, 1927, all uncut; and 7 others, similar, v.s. (13)
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
