The whole art of marbling
third edition, 56 leaves of original marbled paper samples, irregularly numbered, with the 9 gold veined samples mentioned by Easton which are often missing ‘The number of samples may vary; citations do not agree’, and the 5 leaves with 20 small mounted samples (numbered 1-3, 7 7[bis] on versoes), a number of leaves loosely inserted and accompied by an ALs from Bernard Middleton “Herewith some marbled papers for your copy of Woolnough”, the facsimile letter from Faraday about his early bookbinding bound in, contemporary binder’s cloth, bit worn, 8vo, 1881.
The whole art of marbling
third edition, 56 leaves of original marbled paper samples, irregularly numbered, with the 9 gold veined samples mentioned by Easton which are often missing ‘The number of samples may vary; citations do not agree’, and the 5 leaves with 20 small mounted samples (numbered 1-3, 7 7[bis] on versoes), a number of leaves loosely inserted and accompied by an ALs from Bernard Middleton “Herewith some marbled papers for your copy of Woolnough”, the facsimile letter from Faraday about his early bookbinding bound in, contemporary binder’s cloth, bit worn, 8vo, 1881.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
