A PAIR OF FRENCH GREY-PAINTED STOOLS 19TH CENTURY, AFTER THE MODEL BY JEAN-BAPTISTE-CLAUDE SENE In the Louis XVI style and after the model made for Marie Antoinette’s Salon des Jeux de la Reine at both Fontainbleau and Compiègne, each rectangular padded seat covered in red and white silk damask on curule-form stop-fluted supports centred by a rosette within a rope-twist border, on legs carved with an ivy-leaf motif joined by beaded stretchers centred by a ribbon-tied laurel wreath, above panels carved with paterae on lion-paw feet, each with a spurious stamp 'G. IACOB' and stamped with a double 'L' cypher beneath a crown, one with label from Rosenberg & Stiebel, New York 19 in. (48.5 cm.) high, 23 in. (58 cm.) wide, 17 ½ in. (45 cm.) deep
A PAIR OF FRENCH GREY-PAINTED STOOLS 19TH CENTURY, AFTER THE MODEL BY JEAN-BAPTISTE-CLAUDE SENE In the Louis XVI style and after the model made for Marie Antoinette’s Salon des Jeux de la Reine at both Fontainbleau and Compiègne, each rectangular padded seat covered in red and white silk damask on curule-form stop-fluted supports centred by a rosette within a rope-twist border, on legs carved with an ivy-leaf motif joined by beaded stretchers centred by a ribbon-tied laurel wreath, above panels carved with paterae on lion-paw feet, each with a spurious stamp 'G. IACOB' and stamped with a double 'L' cypher beneath a crown, one with label from Rosenberg & Stiebel, New York 19 in. (48.5 cm.) high, 23 in. (58 cm.) wide, 17 ½ in. (45 cm.) deep
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