Louise Lawler Follow Egg and Gun (distorted for the times, dire) signed, numbered and dated "Louise A. Lawler 2008/2017 4/5" on a label affixed to the reverse digital Fujiflex print, face-mounted to Plexiglas on museum box 28 1/2 x 23 in. (72.4 x 58.4 cm.) Executed in 2008/2017, this work is number 4 from an edition of 5 plus 1 artist's proof.
Provenance Courtesy of the Artist and Metro Pictures, New York Exhibited New York, Artists Space, Social Surfaces , October 26 - November 1, 2017 (another example exhibited) Catalogue Essay Louise Lawler lives and works in Brooklyn. She attended Cornell University, Ithaca, New York and has expanded the field of photography through her demure means of artistic observation. Her photographs present images of paintings hanging on the walls of museums, galleries or homes, installation procedures, and sculptures being viewed by spectators. Presenting a dialogue on the function of art as a cultural commodity, Lawler challenges the predominant institutionalized settings common in establishing artistic precedence in a humorous and thought-provoking manner. Read More
Louise Lawler Follow Egg and Gun (distorted for the times, dire) signed, numbered and dated "Louise A. Lawler 2008/2017 4/5" on a label affixed to the reverse digital Fujiflex print, face-mounted to Plexiglas on museum box 28 1/2 x 23 in. (72.4 x 58.4 cm.) Executed in 2008/2017, this work is number 4 from an edition of 5 plus 1 artist's proof.
Provenance Courtesy of the Artist and Metro Pictures, New York Exhibited New York, Artists Space, Social Surfaces , October 26 - November 1, 2017 (another example exhibited) Catalogue Essay Louise Lawler lives and works in Brooklyn. She attended Cornell University, Ithaca, New York and has expanded the field of photography through her demure means of artistic observation. Her photographs present images of paintings hanging on the walls of museums, galleries or homes, installation procedures, and sculptures being viewed by spectators. Presenting a dialogue on the function of art as a cultural commodity, Lawler challenges the predominant institutionalized settings common in establishing artistic precedence in a humorous and thought-provoking manner. Read More
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