Onchi Koshiro (1891-1955)The complete set of Beauties of the Four Seasons (Bijin shiki)Showa period, 20th century the complete set of four woodblock prints from the series Beauties of the Four Seasons (Bijin shiki), accompanied by original paper folio with paper label titled, signed and dated Bijin shiki, K. Onzi, 1927 nen saku , 1930 nen shin suri (Beauties of the Four Seasons, K. Onzi, made in 1927, newly printed in 1930), and comprising:- Spring (Haru)- Summer (Natsu),- Autumn (Aki)- Winter (Fuyu) Each 27.9 x 23.2 cm., 11 x 9⅛ in.Condition reportFine impressions, colours and overall condition, slight creasing to the paper as is typical and very slight traces of previous mounting to the reverse top corners, the paper folio with some old wear with tears to edges, some soiling, some foxing, the spin split top to bottom.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.Catalogue noteOnchi realized his series Beauties of the Four Seasons at a time when he highly espoused the contrasting palettes and pigments of the European Impressionists. The result was an almost uniquely western-style of the ukiyo-e beauty portrait (bijin-ga) that carried a sense urbanity and chicness synonymous with the fashions and styles of the Taisho (1912-1926) and early Showa periods (1926-1988). His women wear cropped coiffures or strikingly match their kimono with bold western-style make-up as in Autumn. In Winter, the model and her cat gaze piercingly at the viewer, both blanketed entirely in black furs. The aristocrat-cum-book designer was inspired by the arts and designs of Takehisa Yumeji (1884-1934), a Bohemian socialist artist who flourished during the Taisho period. Onchi’s first prints were in the German expressionist style, and he is often recognised as a forerunner of abstraction in Japan. In collaboration with Fujiori Shizuo (1891-1943) and Tanaka Kyokichi (1882-1915), Onchi produced the journal Tsukuhae (1914-1915) and would later become the figurehead and main exponent of the Sosaku-hanga, or Creative Print movement.3 There are three known printings of the series Beauties of the Four Seasons. The first set was executed in 1927 with French titles accompanying each of the portraits: Le Printemps (Spring), L’Eté (Summer), L’Automne (Autumn) and L’Hiver (Winter). A second printing comprised of a total of eight sets was self-printed and issued the next year in February 1928. After a set was exhibited at the seventh Soten Exhibition (1927), a further printing was published by Nippon Hanga in 1930, replacing the French titles with their equivalent Japanese translations. Among all printings there are few extant in private and museum collections. Onchi believed instinctively in the print medium as a painting executed by block and many of his works were issued in small editions of only one or two. A complete set of Beauties of the Four Seasons with French titles is in the collection of The National Museum of Modern Art, Kyoto, see Onchi Koshiro (Onchi Koshiro ten), exhib. cat., (Tokyo, 2016), p. 102-3, figs. P93-96. Two other complete impressions were formerly in the Helen and Felix Juda Collection and the F. Kawasaki Collection. 1. Quote by Onchi Koshiro in Lawrence Smith, ‘Japanese Prints 1868-2008’ in Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000, ed. J. Thomas Rimer, (Hawaii, 2012), p. 372.2. Ibid, 371.3. Onchi Koshiro (Onchi Koshiro ten), exhib. cat., (Tokyo, 2016), p. 102-3, figs. P93-96.
Onchi Koshiro (1891-1955)The complete set of Beauties of the Four Seasons (Bijin shiki)Showa period, 20th century the complete set of four woodblock prints from the series Beauties of the Four Seasons (Bijin shiki), accompanied by original paper folio with paper label titled, signed and dated Bijin shiki, K. Onzi, 1927 nen saku , 1930 nen shin suri (Beauties of the Four Seasons, K. Onzi, made in 1927, newly printed in 1930), and comprising:- Spring (Haru)- Summer (Natsu),- Autumn (Aki)- Winter (Fuyu) Each 27.9 x 23.2 cm., 11 x 9⅛ in.Condition reportFine impressions, colours and overall condition, slight creasing to the paper as is typical and very slight traces of previous mounting to the reverse top corners, the paper folio with some old wear with tears to edges, some soiling, some foxing, the spin split top to bottom.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.Catalogue noteOnchi realized his series Beauties of the Four Seasons at a time when he highly espoused the contrasting palettes and pigments of the European Impressionists. The result was an almost uniquely western-style of the ukiyo-e beauty portrait (bijin-ga) that carried a sense urbanity and chicness synonymous with the fashions and styles of the Taisho (1912-1926) and early Showa periods (1926-1988). His women wear cropped coiffures or strikingly match their kimono with bold western-style make-up as in Autumn. In Winter, the model and her cat gaze piercingly at the viewer, both blanketed entirely in black furs. The aristocrat-cum-book designer was inspired by the arts and designs of Takehisa Yumeji (1884-1934), a Bohemian socialist artist who flourished during the Taisho period. Onchi’s first prints were in the German expressionist style, and he is often recognised as a forerunner of abstraction in Japan. In collaboration with Fujiori Shizuo (1891-1943) and Tanaka Kyokichi (1882-1915), Onchi produced the journal Tsukuhae (1914-1915) and would later become the figurehead and main exponent of the Sosaku-hanga, or Creative Print movement.3 There are three known printings of the series Beauties of the Four Seasons. The first set was executed in 1927 with French titles accompanying each of the portraits: Le Printemps (Spring), L’Eté (Summer), L’Automne (Autumn) and L’Hiver (Winter). A second printing comprised of a total of eight sets was self-printed and issued the next year in February 1928. After a set was exhibited at the seventh Soten Exhibition (1927), a further printing was published by Nippon Hanga in 1930, replacing the French titles with their equivalent Japanese translations. Among all printings there are few extant in private and museum collections. Onchi believed instinctively in the print medium as a painting executed by block and many of his works were issued in small editions of only one or two. A complete set of Beauties of the Four Seasons with French titles is in the collection of The National Museum of Modern Art, Kyoto, see Onchi Koshiro (Onchi Koshiro ten), exhib. cat., (Tokyo, 2016), p. 102-3, figs. P93-96. Two other complete impressions were formerly in the Helen and Felix Juda Collection and the F. Kawasaki Collection. 1. Quote by Onchi Koshiro in Lawrence Smith, ‘Japanese Prints 1868-2008’ in Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000, ed. J. Thomas Rimer, (Hawaii, 2012), p. 372.2. Ibid, 371.3. Onchi Koshiro (Onchi Koshiro ten), exhib. cat., (Tokyo, 2016), p. 102-3, figs. P93-96.
.jpg "Source: Christie's")
.jpg "Source: Christie's")
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