Reeve (George). Silver-Tail. A Favourite Gig Horse, circa 1827, aquatint after Marshall Lambert with contemporary hand-colouring, slight staining, trimmed to the image on three margins, 290 x 390 mm, framed and glazed in a near-contemporary maple frame with an Alfred Davis Gallery label to the verso of the frame, together with Reeve (Richard Gilson). London Royal Mail, A Four in Hand, A Stage Coach [and] A Stage Coach, S. & J. Fuller, 1st. December. 1827, four aquatints on one sheet (as published) after H. Alken, contemporary hand-colouring, slight toning, overall size 280 x 365, framed and glazed in a contemporary maple frame with a Samuel Jennings printseller's label to the verso of the frame, with Seymour (James, manner of). The Brown Boy Arabian, brought over by Mr Moscoe. Now the property of the Rt. Honble. the Ld. Vist. Cullen & kept at his Lordship's Seat at Rushton in Northamptonshire, circa 1750, uncoloured engraving, slight staining, trimmed to the image on three margins, 235 x 330 mm, framed and glazed in a near-contemporary 'Hogarth' frame
Reeve (George). Silver-Tail. A Favourite Gig Horse, circa 1827, aquatint after Marshall Lambert with contemporary hand-colouring, slight staining, trimmed to the image on three margins, 290 x 390 mm, framed and glazed in a near-contemporary maple frame with an Alfred Davis Gallery label to the verso of the frame, together with Reeve (Richard Gilson). London Royal Mail, A Four in Hand, A Stage Coach [and] A Stage Coach, S. & J. Fuller, 1st. December. 1827, four aquatints on one sheet (as published) after H. Alken, contemporary hand-colouring, slight toning, overall size 280 x 365, framed and glazed in a contemporary maple frame with a Samuel Jennings printseller's label to the verso of the frame, with Seymour (James, manner of). The Brown Boy Arabian, brought over by Mr Moscoe. Now the property of the Rt. Honble. the Ld. Vist. Cullen & kept at his Lordship's Seat at Rushton in Northamptonshire, circa 1750, uncoloured engraving, slight staining, trimmed to the image on three margins, 235 x 330 mm, framed and glazed in a near-contemporary 'Hogarth' frame
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