The Dunghill Cock and Game Pullet. Or Boney beat out of the Pitt, Thomas Tegg, 1810, etching with contemporary hand colouring, trimmed to plate mark, some mount staining, partially re-margined on one border, 235 x 340 mm, together with Doctor Gallipot placing his fortune at the feet of his mistress. Thro' physic to the dogs, circa 1810, aquatint with contemporary hand colouring, 330 x 260 mm, with Volunteer wit or not enough for a prime, circa 1810, etching after Woodward with contemporary hand colouring, 245 x 345 mm, plus A tour to the lakes, circa 1815, etching with contemporary hand colouring, marginal closed tears repaired with sellotape and resultant staining to margins, slight overall toning, 345 x 240 mm, and Three weeks after marriage, or the great little emperor paying at Bo-peep, Thomas Tegg, 1810, etching with contemporary hand colouring, trimmed to image, slight creasing and dust soiling, 230 x 330 mm, with Paris Dilligence, Thomas Tegg, circa 1815, etching with contemporary hand colouring, trimmed to plate mark, some staining, 260 x 360 mm, with another three caricatures similar by or after Rowlandson, various sizes and condition (9)
The Dunghill Cock and Game Pullet. Or Boney beat out of the Pitt, Thomas Tegg, 1810, etching with contemporary hand colouring, trimmed to plate mark, some mount staining, partially re-margined on one border, 235 x 340 mm, together with Doctor Gallipot placing his fortune at the feet of his mistress. Thro' physic to the dogs, circa 1810, aquatint with contemporary hand colouring, 330 x 260 mm, with Volunteer wit or not enough for a prime, circa 1810, etching after Woodward with contemporary hand colouring, 245 x 345 mm, plus A tour to the lakes, circa 1815, etching with contemporary hand colouring, marginal closed tears repaired with sellotape and resultant staining to margins, slight overall toning, 345 x 240 mm, and Three weeks after marriage, or the great little emperor paying at Bo-peep, Thomas Tegg, 1810, etching with contemporary hand colouring, trimmed to image, slight creasing and dust soiling, 230 x 330 mm, with Paris Dilligence, Thomas Tegg, circa 1815, etching with contemporary hand colouring, trimmed to plate mark, some staining, 260 x 360 mm, with another three caricatures similar by or after Rowlandson, various sizes and condition (9)
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